18 Apr
2013
18 Apr
'13
5:59 p.m.
Am 18.04.2013 14:29, schrieb Raffaele Morelli:
2013/4/18 Brent Busby <brent(a)keycorner.org>rg>:
> When sounds are competing in the mix, the frequently given advice is usually
> to carve out frequency ranges for them with EQ.
>
> But what do you do when its a thick analog keyboard part that spans a
> 4-octave range, and the range it's playing is the whole musical point of it?
> What do you do for those parts that won't fit in an EQ shoebox?
Some may say: rearrange the song...
I think: there is no such thing as bad sound, only a plethora of
opportunities for wrong sound. If the musicians like it, it sounds
"good"(ever heared norwegian Black Metal? ;-) ). If you hear sounds
competing, play a sane mix to them and ask the musicians, whether they
like it or not and if not, ask them, if they see a possibility to
*play*/arrange it differently.
To unmix wrong arrangements is second-best....
do nothing to you keyboard and find space elsewhere...
I suppose a bass in your mix, so I would take care of low ends
0.02€
/r
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