Hi Julien,
Thanks for taking the time to listen to this. The version you heard
had already had a massive amount of EQ applied to get rid of masses of
mid-range stuff, and after that I could hardly hear the difference
between anything. Fresh ears are definitely apprecitated!
I have had a go at doing what you suggested, but I am not sure you
will think it is any better. I brought the vocals forward much more
with compression etc. Also increased the volume on the drums - but to
my ears they seem a bit overpowering - but maybe that's me. Bass I am
still struggling with. I can't really hear the unpleasant mid-rangey
ness to it. But also, I feel if I emphasise the low end too much it
gets mixed in with the kick. Would apprecitate some more hints here -
I have added some EQ to the bass but not sure it really helps.
I uploaded the new version over the top of the old one - so you should
be able to download it using the same link.
James
On Wed, Oct 9, 2013 at 7:23 PM, Julien Claassen <julien(a)mail.upb.de> wrote:
Hello James!
There seems to be everything to make a nice, sturdy song. But indeed the
mix could be improved, if you don't mind me saying so. :-)
The most obvious cause for improvement I can hear in EQ'ing. The bass is
very much in the mid-range. You could lower the treble frequencies.
Experiment. If you have some MIDI-equipment or anything else hooked up, that
you oculd activate one band of an EQ, set gain to something like 12Db and
sweep it, until you come to the really disturbing parts. My guestimate would
be between 300-440Hz and probably in other areas as well. You can also use
the EQ to sculpt your bass sound. So you could try raising higher bands to
coax out certain characteristics.
The guitar too sounds a bit to mid-range. I mean the distorted guitar. You
might also give it a try in either panning it to the right, away from the
clean electric guitar or use a short delay and lower the original signal, so
you push the main portion of its sound to the sides. that way you have more
space in the middle for the voice. I don't know, what you did to the voice
so far, but it sounds very feable.
Typical approaches: good EQ'ing and filtering. Cut off the complete lower
end up to perhaps 120-200Hz, experiemtn, listen to it in the whole mix, so
you will hear, when it gets noticeable. Stop shortly before that point. Then
you might again sweep it with an EQ, to see, which bands could use lowering
or even a little boost. Next apply some good compression. You could even try
to push it rather hard. that should help to steady the vocals very much and
push them. From that point onwards, you might try a short delay, leaving the
dry signal at 0Db, so you get some width to the voice. At last a touch of
reverb wouldn't go amiss. If you can use LADSPA plugins, I'd suggest trying
the CAPS 2x2 Plate (unique ID 1795). Be subtle with that. Don't use it as an
effect, use it as a tool of production and arrangement.
The drum kit too sounds very low. Especially with that type of music.
Lower the other tracks a bit and raise the drums some. You might also wish
to do more to them to give them a little more bite and kick.
It sounds, like snubbing you, if I go over that mail in my mind, but be
assured: it certainly isn't. It's just what I would do to it from the top of
my mind. But as it is very often the case: I have an auditory image of a
production sound in my mind. Not necessarily a good one and those tips
aren't necessarily good ones. But they'd certainly go a step or two in the
right direction for clarifying the elements and setting them apart.
I hope, that something of all that dribble can be of help and might point
in a direction, that you can hear in your mind for this song.
Good luck and thanks a lot for sharing!
Warm regards
Julien
----------------------------------------
http://juliencoder.de/nama/music.html