*Viktor, could you post an example PDF that shows how the grouping of
notes should be presented on the page?*
Here are 3 different pages:
*http://tinyurl.com/bq4lyd
*
I have included two examples of 5/8: 2+3 and 3+2 (bas score only) plus one
page of 9/8 (bouzouki score + tabs), for the sake of clearness.
The 9/8 has 2+2+2+3 grouping, and it's so beautiful on Lilypond. If I just
didn't have to spend sooo many long hours to create 2 pages of this kind of
notation.
(don't forget that 9/8 can be grouped in more different ways: 2+3+2+2,
2+2+3+2 and 3+2+2+2, although 2+2+2+3 is most widely used)
I am really thankful for your support.*
*Here are the songs from the scores (if interested):
Show Me (3+2 = 5/8)
http://meditera.co.uk/pokazhi-mi-mp3-single
I'm Waiting (2+3 = 5/8)
http://meditera.co.uk/im-waiting-mp3-single
The Rush (2+2+2+3 = 9/8)
http://meditera.co.uk/the-rush-mp3-single
Thanks again,
Viktor
2009/2/13 Ron Fox <rfox(a)aloha.com>
On Fri, 2009-02-13 at 15:48 +0000, Viktor Mastoridis wrote:
Hello to all,
I play bouzouki and guitar and most of my music repertoire is in
(Eastern European) uneven time signatures (5/8, 7/8, 9/8 etc).
I was trying to write Guitar/Bouzouki tablature/notation of this music
on Linux in the past but without much success.
The main (hidden) problem with these rhythms is the grouping of notes,
i.e.
5/8 can be 2+3/8 or 3+2/8,
7/8 is 2+2+3/8 or 3+2+2/8 etc...
Thus the grouping of the notes needs to reflect this fact as it is
essential for the performer.
Viktor, could you post an example PDF that shows how the grouping of
notes should be presented on the page?
Regards,
Ron
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