We have
that whole rock/blues and jazz legacy to deal with as well {as
opposed> to the
watered down, imitative stuff that comes from
that side of the
pond.} The> American public has come to value
things like depth
and quality and
a certain> "earthiness" that you just
don't get with "Eurodisco."
This statement in a week when the Top 10, for the first time in History,
was completely comprised of all Black artists. Yes, our charts, and
apparently our brethren, have gone a different direction.
I'm not quite sure what this means.
{Tho' you really couldn't tell it by looking at our charts. ... A few
minutes> on the streets or in some of our backwoods clubs would
convince
you.}
Sorry. Not clear. I listen a lot to jazz fusion, like John Scofield or John
McLaughlin, or then a lot of prog rock stuff like Spock's Beard or
Conspiracy. None of this is represented on the radio today, really. (In
reference to your "that whole rock/blues and jazz legacy" comment, which I
agree with.)
My unintelligible comment about black artists was only that this week
everything on the radio is hip hop, rap or what passes taday as R&B, even
though I have a hard time equatig Beyonce Knowles, no matter how good
looking or talented she is, with R&B. Nothing on commercially driven radio
around her has anythign to do with, again, "that whole rock/blues and jazz
legacy".
I hope this helps explain my point of view a bit, even if it is out of
touch.
- Mark