On Wed, Feb 11, 2009 at 6:10 PM, Fons Adriaensen <fons(a)kokkinizita.net> wrote:
'Good' automatic accompaniment will require
more than
the computer's ability to listen combined with some
condensed programmed knowledge of musical structure
and performance praxis.
By 'good' I mean that the computer should be able to
do it as expected, and without requiring specific
instructions for each particular case.
I suspect it would require 'training' of the same
form that a musician capable of the same would go
through.
Now if such ability is the result of training, can
it be called either 'manufactured' or 'simulated' ?
If yes, should we humans consider ourselves as being
manufactured or simulating ?
If you've access to a Windows or Mac, I'd be interested to know what
you think of this software:
http://www.circular-logic.com/
http://www.circular-logic.com/howItWorks.html
It uses a neural-net algorithm, derived from neurological research on
how the brain perceives tempo. I've tried it and was quite impressed.
Lee