First off, I
must say I am very flattered by your interest in my
opinion.
That being said, I am sure that Stanford (CCRMA)
has something like it
as
well as Eastman, University of Virginia, and
perhaps even Columbia. Also
many other institutions that do electroacoustic music do some open-
source
stuff albeit many of them do OS X exclusively.
Apple enjoys strong
patronage
from the academic community even though it poses
as an oxymoronic
solution
to those who seek true "freedom of
expression" through use of their
computers. In part, this is the case (IMHO) because OS X offers
superficial
ease of use coupled with eye-candy which is
usually good enough for most
people. Not optimal, but good enough.
OS X is not *that* bad.
Hi,
I don't think that OS X is bad as much as I don't think WinXP is bad. Both
are good OS's but suffer from some deficiencies as well as lack longevity
(think: transition from OS 9 to OS X left many users frustrated and to this
day Apple community is rather fragmented because of it).
Like you, I much prefer the free-speech aspects of
GNU/Linux. But, we
should never underestimate the competition.
I don't consider a half-proprietary OS a competition to something that is
completely free. Those two don't belong to the same category. Yet, FWIW if
we consider the current market, according to the latest estimates Linux
user-base rather comfortably surpasses Apple's not even including the users
who install Linux on their Win and Apple boxes by themselves (which probably
constitutes a relatively sizable percentage in itself). Please note that
this number does not include silly statistics such as the number of Linux
servers etc. Here I am strictly talking about desktop users.
Apple has a strong following among professional
musicians, because
there are many excellent audio applications which install and work on
it with few problems. The realtime performance is quite impressive
right out of the box, without the days or weeks of tuning we do to get
comparable response with Linux. Most musicians don't want to spend
their time "fiddling with computers".
This cannot be it because when OS X just came out there was absolutely no
audio software that ran OK (i.e. at that point Max/MSP required Classic and
did not support MIDI rendering it practically useless). Still, many
continued to purchase Apple computers for the audio studios for imho 3
reasons: NeXT nostalgia (NeXT always held a special place in the academia),
unquestionable devotion to Apple platform, and most importantly due to fact
that this was what was taught in school (students would simply invest in a
platform that was being taught in classes).
I met several students who came from the UCSD (which is another school I
forgot to mention regarding teaching GNU/Linux) and unsurprisingly most of
them were using open-source audio software and Linux because that is what
was being taught at the school (and because it was in their opinion superior
software to the proprietary offering -- I obviously share that opinion as
well :-). In addition, to this day both WinXP and Linux have greater
offering of software and much of it is likely comparable in quality.
Finally, the vanilla real-time performance is not that impressive on Apple.
It's ok, but not impressive. Most of the studies that reported the
impressive latency on Apple machines involved just as much tweaking as it
would on a Linux or Windows box.
Hence, I believe the (1) fact that many studios already have Mac's (so the
implication is that they are already used to its platform, while changing to
a different OS and/or introducing new machines with different architecture
would require time to adapt and would potentially introduce maintenance
headaches, none of which is desirable by the faculty overwhelmed with their
other responsibilities), (2) and the fact that the audio users are mostly
unaware of Linux's abilities are the two key factors that impede presence of
Linux in audio-oriented academia and which continue to drive Apple's
dominance in this niche market.
Furthermore, as a result no student is exposed to Linux and therefore
whoever comes out of such environment will be likely a Mac-only user who, if
they decide to pursue an academic position, will likely prolong this vicious
circle by continuing to maintain an Apple-only studio.
Best wishes,
Ico
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