It's beautiful. If you wanted to add strings, the small bit between
2:30 and 2:50 would be perfect for it in my opinion, without in any
way "spoiling" the rest of the song. I'd tone down the "mallet"
thing
a tiny bit though, so as not to drown out the guitar.
Arve
On 6 October 2011 14:32, Harry van Haaren <harryhaaren(a)gmail.com> wrote:
Hey Egor,
Listening now, I like it! Could imaging the addition of some strings would
fill in some of the spaces, although it would soon take from the ambience
vibe that it has if they're too loud..
I like the "mallet" sound, although sometimes I feel it pushes away from the
scale a touch once in a while... For the "100% cheese factor" perhaps work
that into the scale more. But I like it this way too, its not "generic" like
much of the use of the mallet instruments..
Hope your well! -Harry
On Thu, Oct 6, 2011 at 1:14 PM, Egor Sanin <egor.sanin(a)gmail.com> wrote:
Good morning,
I would like to share a recording I made recently. These wonderful
autumn days inspire a relaxed tinge of sweet melancholy.
This is one of my first complete pieces.
I know, I know, the guitar is sloppy.
I welcome all criticism!
Soundcloud:
http://soundcloud.com/cheburazavr/cheburazavr-breathoffall
Direct download:
http://soundcloud.com/cheburazavr/cheburazavr-breathoffall/download
I try to use console tools exclusively. I used midish for sequencing,
ecasound for recording and mixing, and linuxsampler for the drums. I
used my e-mu Proteus for the bells and the other sound in there.
Thanks to Julien Claassen for letting me pick his brain!
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