13 Apr
2007
13 Apr
'07
3:28 p.m.
Am Freitag, 13. April 2007 schrieb Bearcat M. Sandor:
Is it really about selling more music? I'm still
not convinced that it
Its not always about selling music but about getting (wider) audience.
Unless you do your music only to torture your relatives on family
reunion... ;-)
sounds better on average consumer level electronics
though. If the
complaint is about some passages being too quiet because there is too much
dynamic range, well that's not the kind of music it's done on anyway is
it? If the idea is to make the whole thing subjectivly louder why not
just leave it to the listener to turn up the volume?
Ever seen a worker in the factory change the volume on his radio with every
song?
A song that is less loud than the others means 3:30 mins of silence for them,
which the radio-station wouldn't allow to happen since they loose listeners
and thus ad-money everytime that song is played.
So: If you want your song to be played on the radio it has to be loud.
Moreover if your song stands out over the other songs in (subjective) loudness
it will be recognized. And that is what you want. So you try to make your
song louder than the others. Only problem is that every other producer tries
the same thing and that is where song are compressed to much and get screwed
by producers that force their technicians to use much higher compression than
most of them want to use...
Some of the things i
have that are compressed aren't even played on the radio. I can only
really speak to that in the States though so i'd admit i was wrong quickly
on that one.
While radio is the primary broadcast if you want your songs to be heard, the
same rule above also applies to CDs. At least to some degree. (But most bands
produce CDs that could be broadcasted directly without asking the band for a
special broadcast-version.)
Yes, you can do recordings completely without compression. Even good old
instruments/classic can be recorded that way. But what do your
wife/kids/neighbors say if you turn up your amp to get the full >80dB
dynamic-range between the silent flute-solo and the big tutti finale? (*)
Think of compression as a tool the same as equalizers. Learn to use them and
use what sounds best. Not every channel needs EQ and compression by default.
But be aware that good compression takes more experience than EQ. And the
characteristics of the EQ change if you put the EQ before the compressor,
which can be desired or unwanted...
Arnold
(*) I do have a recording of Haydn's creation where the passage "And there was
light" has almost that dynamic-range. I can only really listen to that and
enjoy the range on big PA's during soundcheck or on my headphones. (Or when
my wife is on holiday/work...)
--
visit http://www.arnoldarts.de/
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