On Sat, May 21, 2016 at 03:58:24PM +0200, Ralf Mardorf wrote:
But from were do come stereo signals in the field?
A stereo microphone (or equivalent setup) for example.
Yes, that already was pointed out by Jörn's explanation. I'm right
there with you.
However, if you're using double sided large membrane mics you could
stepless chose directionality.
*IF* you have that type of mic, and *IF* you can place it
exactly where you want it, and *IF* you can control the
placement of the performers, yes then maybe you can avoid
having to correct the stereo image. Ever done any real-life
recording ?
If you're using headphones as microphones,
you'll experience issues
that can't be fixed, what ever technique you'll use.
And if you write stupid arguments you'll experience being
ignored.
If you have access to all components, M/S processing
doesn't
make sense. How can one disagree with this?
Because it's not true.
Then give an example.
I already did. You don't seem able to read, or to understand it.
Ciao,
--
FA
A world of exhaustive, reliable metadata would be an utopia.
It's also a pipe-dream, founded on self-delusion, nerd hubris
and hysterically inflated market opportunities. (Cory Doctorow)