2 May
2020
2 May
'20
2:12 a.m.
Hey Diego!
Nice tune! I like how the mix starts, but later on it feels like it's
either clipping or overcompressed. I would also really mind hihat and
percussion levels, a lot of them might sound better if they are quieter, so
that the beat feels more together. As a rule, I make hihats really-really
quiet, this is one of the major tips of writing techno. Usually you reduce
the loudness of the hiahat to 0 and then increase its loudness until you
can make it out, but not louder than that.
I would also reduce the lows on most of the elements, by about 1.38 when
the claps starts it becomes really crowded. I like the string at 6.20, very
clean, but the mix itself is not breathing at this point and feels a bit
flat, whereas I want to feel the dynamics and the groove. And what's
interesting, the mix itself sound relatively clean, so a bit more dynamics
could really make it awesome.
Cheers!
Louigi Verona
https://louigiverona.com/
On Fri, May 1, 2020 at 11:26 PM Diego Simak <diego.simak(a)gmail.com> wrote:
El vie., 1 may. 2020 a las 14:02, Jeanette C. (<julien(a)mail.upb.de>)
escribió:
May 1 2020, Diego Simak has written:
...
This sounds very electro
nightclubby. I could imagine the kicks pumping
out a big PA. It also shows a non too often exposed side of Yoshimi. I
think I'd love to hear that in a Berlin underground club. :)
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
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I'm so curious, what do you think of me <3
(Britney Spears)
Hey Jeanette!
Thank you very much for listening.
Yeah, I would love to ear it in a underground club too.
Best wishes,
Diego
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