16 Jan
2011
16 Jan
'11
10:24 p.m.
On Sun, Jan 16, 2011 at 4:14 PM, <fons(a)kokkinizita.net> wrote:
On Sun, Jan 16, 2011 at 09:39:15PM +0100, Jörn
Nettingsmeier wrote:
well, yes and no.
there have been quite a lot of developments in the last 10 years that
represent phenomenal improvements in workflow for people who are paid
to create music on demand. their impact on aesthetics is less clear,
and probably negative, but if you're someone who writes soundtracks
for ads, tv shows or films, the tools available now totally outshine
what was available 10-15 years ago. and that part is not BS.
i guess my point is this: being a gearhead
doesn't make you a good
musician, composer, arranger or mixing engineer. most of the commercial
audio world is targetted at gearheads. it has to be, because audio
technology has been "good enough" now for a few years, so what can we do
to sell new stuff? invent bs.
An accurate summary. This started in the 'consumer' (hifi) world some
25 years ago, and today it has reached the 'pro' segment of the market
as well.