I don't really make music, and I certainly don't distribute it.
But as a serious consumer of music, I don't see how you (or anyone else,
really) can do much better than Bandcamp.
I'm not interested in streaming music, and as a musician I can't really see
why you would be either, given the absurdly tiny revenue it generates.
On Thu, Aug 27, 2020 at 1:45 PM Andrew A. Grathwohl <andrew(a)grathwohl.me>
wrote:
Hello Linux Audio folks!
I wanted to see if I could get a conversation going about the future of
music distribution. Given that we are people who make creative works with
free software, I figured this is as decent a place as any to discuss what
is out there, what is possible, and what should be avoided. My own personal
approach to distribution is detailed below, but I invite others on this
list to share their own methods and ideas.
By now, most of us are probably resigned to the fact that the music world
will look quite a bit different going forward, compared with prior eras.
Many musicians feel that today's points of engagement with music fail to
provide adequate revenues, and are taking to social media to criticize
Spotify and the ilk for not being better "stewards" of music.
I largely agree with those sentiments, which is why I have been taking the
opportunity to construct a solid home base for my music project
<https://multipli.city>, which is fully operated on my own physical
hardware and some AWS cloud services at a cost of $7/month. It's just a
simple jekyll template <https://github.com/SacredData/pRoJEct-NeGYa>
hosted on GitHub Pages. However, by publishing my music releases to my own
jekyll page one time, I get the added benefit of also publishing to all
desired locations on the web simultaneously, including to a podcast feed
<https://multipli.city/podcast.xml> compatible with Apple's podcast
network.
It's weird to me that we are still trying to unit-price music in a world
where it's cheaper and easier than ever to record, produce, and distribute
it. I am not necessarily interested in profiting from my own musical
endeavors, but a friend of mine is a rather popular independent
electronic artist, who has pointed out to me that despite millions of
annual streams, streaming services alone don't provide him anywhere near a
livable income. In my opinion, this shouldn't be so. There's also the
issue of being beholden to the whims of private firms who run various
online music services. Anyone here miss SoundCloud Groups, for example?
I've begun to wonder if solutions like mine could be the foundation for a
new kind of music distribution approach - perhaps one where musicians
maintain podcast feeds, where monetization vectors are much more profitable
and much more flexible for individuals to exercise without betraying their
own values.
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