On Tue, 2011-06-14 at 08:22 -0400, Paul Davis
wrote:
On Tue, Jun 14, 2011 at 8:11 AM, Ralf Mardorf
<ralf.mardorf(a)alice-dsl.net> wrote:
And as you could read I found an issue. At
Thomann (a German dealer)
they claimed there are no sync issues, what I couldn't believe. Doing
this test I found out, that there are bad phases.
You DIDN'T SYNC ANYTHING. Or at least, your description doesn't
mention any kind of sync.
That might be correct. The optical ADAT connection can't be used for
sync?
And if you had tried to sync, you would have
found that you CANNOT sync two A/D converters unless they are the
exact same model (so that their pre-A/D buffer is the same size).
I suspect the RME using other, better converters than the Behringer
does. This is why I expect that a completely perfect sync for the phases
might be impossible. Thomann (the dealer) claimed I'm mistaken ;), sync
is possible.
Anyway, I'll read about ADAT and sync. ADAT is new for me, since in the
earlier days it was used by semi-professional studios only, I never was
in a professional studio or home recording studio using ADAT. I guess
today it's more common than it was 'some' years ago.
I thought ADAT is similar to S/PDIF and usually S/PDIF is used to sync
identical elCheapo cards when using them as one virtual card, something
I never tried to do with my Terratec cards, instead I bought the RME.
All ADAT (or any other word-clock) syncs is the sample-clock of the
processing, it doesn't sync the times the converters need to output the sample
as analog audio. And these times depend on the actual chip used. So you can't
even expect one adat-io-converter from one manufacturer and another by the
same manufacturer to be of the same "latency" because they might use different
chips inside with different conversion latencies.
To have it exactly in sync, you have to use only one kind of converters in
your setup.
Or live with the fact that one sample at 48kHz is only some centimeters of
distance, and the conversion-latency is usually below that. So its probably
okay for normal recording-, live- and playback-usage.