1 Sep
2009
1 Sep
'09
3:56 a.m.
On Tue Sep 1 15:43 , Leigh Dyer sent:
sonofzev(a)iinet.net.au wrote:
Sure thing... I use the MPC initially to do the loop sequences.. then use it for
the arrangement.... I do some final linear sequencing (e.g. filter knobs e.t.c..)
I then multitrack record these into Ardour and work on a final mix .. some final
effects, fader automation e.t.c...
The MPC is of course the centre of live performances too..
If you are in Melbourne come and check out one of my gigs... I'm always happy to
chat after my set (I'm often a bit nervy and anti-social before my set)..
info can be found on my myspace page www.myspace.com/sonofzev
or below
http://www.inthemix.com.au/forum/showthread.php?t=257987
http://www.inthemix.com.au/forum/showthread.php?t=255563
Hi Folks
I've released some more music, mixed with Ardour...
http://www.junodownload.com/products/1461837-02.htm
Here's an interview where I give the community a small plug..
http://www.fun-in-the-murky.com/mt/2009/08/son-of-zev---mana-from-melbourne…
Nice :) It sounds like there's a few of us Melbournians kicking around
on the list.
Can I ask how you fit Ardour and your MPC together in your workflow? So
far I've been using Ardour to record and either Rosegarden or Qtractor
to sequence my synths (some software, but mainly my Blofeld), usually
just a part at a time. Do you do something similar with the MPC for
sequencing when recording, or is it mainly for live use?