17 Feb
2003
17 Feb
'03
9:58 a.m.
On Mon, Feb 17, 2003 at 12:50:58PM +0000, Daniel James wrote:
Compression by itself might make the pops worse by reducing the peak
levels of proper vocals, unless the pops peak louder than the vocals.
I'd suggest trying either or both of:
(a) a steep cutoff high pass filter, set as high as you can without
strangling the vocal
(b) separating the low frequencies from the rest of the spectrum
and compressing/limiting the LF severely, with a threshold just high
enough not to affect the vocal, and recombining. A multiband compressr
such as used for mastering could be set to do this, with compression only
on the LF end of the spectrum.
You'd probably want to go through the filter before compressing.
I've got a
vocal track that I recorded using ardour, and I have some
serious pops in it from the singer being way too close to the mike and
taking off my lovely pantyhose-over-a-wire-hangar-loop filter.
I'm at a loss as to what filter/tool I might be able to use to reduce the
severity of this... any clues?
First, you could compress the vocal to even out the levels - I use the LADSPA
Dyson Compress or SC4 plugins for this. You'll still have the distortion from the pops
though. I suggest you
make it a feature
If there's distortion, that's about all you can do :-/
--
Anahata
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