2 Mar
2004
2 Mar
'04
8:21 p.m.
On Tue, 2 Mar 2004 06:51:22 -0800 (PST)
R Parker <rtp405(a)yahoo.com> wrote:
What I'd suggest to Joe and all of us when we
experience "sounds like garbage on other systems" is
to move from mixing to mastering. Send these mixes
through JAMin and even if you only have one room to
work with you should expect very significant
improvements in how the audio sounds on many systems
and in many environments. But do not master until the
mix sounds great. Always master control room mixes
because compression and limiting ontop of compression
and limiting will fail.
By the way, it's only been in the past month or so that I've really
started to dig into JAMin and realize what an astounding effect it
has on the music. Heck, even when I just put it through and used
the default compressor settings and a bit of EQ, the difference was
big, but now that I'm getting a bit more proficient with it, I realize
now that the mastering phase is what makes the difference between
demos and something worth releasing.
I recently had a friend ask for a CD of some of my playing, and I
went back and took some of my older pieces that I'd felt were finished
and ran them through JAMin... maybe the difference isn't night and
day, but it's at least twilight and day!!
--
======================================================================
Joe Hartley - UNIX/network Consultant - jh(a)brainiac.com
Without deviation from the norm, "progress" is not possible. - FZappa