On Wednesday 04 August 2004 10:04 am, Joe Hartley wrote:
On Wed, 4 Aug 2004 13:39:20 +0100
tim hall <tech(a)glastonburymusic.org.uk> wrote:
Last Tuesday 03 August 2004 21:13, Mark Knecht
was like:
> On the low-end, but dodgy
> reliability, are these Octavia mics you see so much of these days.
I have a pair of the Oktava MK-319's and I have to say that I'm very
happy with them, within limits. What limits? Well, the bodies can be
rather resonant, adding a ringing tone to the recording if they're
mounted with no consideration for shock absorption, and I absolutely
cannot use them in conjunction with my Behringer T1953 tube preamp - the
sound is far to brittle when I use the 2 of them together.
I like the 319's for some vocals, some acoustic instruments, as drum
overheads, and for live stereo recording, which I do a fair amount of.
Also worth having a pair of PZMs around if you
can still get hold of them
;) Great for cheap drum overheads.
PZMs are certainly still available; Crown sells them for a relatively
low amount of money. I like them for drum overheads, but one trick I
In the States, RadioShack sells rebadged Crown PZM's for even cheaper. The
connector is 1/4" phone.
found is that if I'm recording drums in my
basement, which is relatively
small, I'll set up the kit to face a wall and be 4-5 feet back from it, and
I'll hang a PZM on that wall. While there's no stereo separation to it,
it gives me a good signal to mix in for a different kind of ambience that
isn't given by the overheads - it's got more of the kick drum than the
overheads will pick up, which can be a Good Thing sometimes.