[LAU] OT: SBCM'2007: one month to submission deadline

------------------------------------------------------ CALL FOR PAPERS ========================================== 11th Brazilian Symposium on Computer Music September 1-3 2007 São Paulo - Brazil http://gsd.ime.usp.br/sbcm/2007 ========================================== The Symposium ------------- The Brazilian symposia on computer music have consolidated the significance of Brazil's international position in the field of Computer Music. The 11th Brazilian Symposium on Computer Music is organized by NUCOM, the computer music branch of the Brazilian Computing Society (SBC), and it will be held in São Paulo from September 1st to 3rd, 2007. During the symposium there will be speeches by renowned researchers, technical and music paper sessions, discussion panels, and concerts. Researchers, scientists, composers, educators, manufacturers, and all concerned with the interplay between music and technology are invited to submit work. The program will include, among others, a keynote speech and a workshop by Roger B. Dannenberg (Carnegie-Mellon University, USA). The program committee will give a prize for the best student papers presented at SBCM. Papers that have a student as a major author are eligible. Two awards will be given: one for the best technical paper and another for the best music paper. ORGANIZATION ------------ General Chairs: Fabio Kon (University of São Paulo) Fernando Iazzetta (University of São Paulo) Technical Papers Chair: Geber Ramalho (Federal University of Pernambuco) Music Papers Chair: Mikhail Malt (IRCAM/Sorbonne-Paris IV) Local Arrangements Chair: Marcelo Queiroz (University of São Paulo) IMPORTANT DATES --------------- June 3rd Full papers and posters submissions due July 15th Full papers and posters notification of acceptance July 30th Camera-ready version of papers and posters due TECHNICAL TOPICS OF INTEREST ---------------------------- The topics to be covered include, but are not limited to . Acoustics, Diffusion, Sonorization . Artificial Intelligence . Artificial Life and Evolutionary Music Systems . Audio Hardware design . Audio Digital Signal Processing . Computer-Aided Music Analysis . Computer-Aided Musical Education . Computer-Aided Musicology . Distributed Music . Internet and Web Applications . Multimedia Systems and Applications . Music Data Structures and Representation . Music Information Retrieval . Music Notation, Printing, and Optical Recognition . Quality of Service for Audio . Psychoacoustics and Cognitive Modeling . Real-time Interactive Systems . Software Systems and Languages for Composition . Sound Synthesis Technical Program committee --------------------------- Adolfo Maia Jr. Universidade Estadual de Campinas Aluizio Arcela Universidade de Brasilia Andrew Horner The Hong Kong University of Science & Technology Chris Chafe Stanford University Edilson Ferneda Universidade Católica de Brasília Eduardo Miranda University of Plymouth Emilios Cambouropoulous Aristotle University of Thessaloniki Fabio Kon Universidade de São Paulo Flávio Soares Silva Universidade de São Paulo François Pachet Sony Computer Science Laboratory Gérard Assayag IRCAM Geber Ramalho Universidade Federal de Pernambuco Giordano Cabral Université Paris 6 Henkjan Honing University of Amsterdam Hugo de Paula PUC Minas Ian Whalley University of Waikato Jean-Pierre Briot CNRS - Université Paris 6 & PUC-Rio Jonatas Manzolli Universidade Estadual de Campinas Lelio Camilleri University of Bologna Luis Jure Universidad de la República Marcelo Pimenta Universidade Federal do Rio Grande do Sul Marcelo Queiroz Universidade de São Paulo Marcelo Wanderley McGill University Marcio Brandao Universidade de Brasilia Maurício Loureiro Universidade Federal de Minas Gerais Oscar Di Liscia Universidad Nacional de Quilmes Palle Dahlstedt Göteborg University/Chalmers Univ. of Technology Peter Beyls Hogeschool Gent Petri Toiviainen University of Jyvaskyla Regis R. A. Faria Universidade de São Paulo Roger Dannenberg Carnegie Mellon University Rosa Viccari Universidade Federal do Rio Grande do Sul Sever Tipei University of Illinois School of Music Victor Lazzarini National University of Ireland Music Papers Program Committee ------------------------------ Mikhail Malt (chair) IRCAM/Sorbonne-Paris IV Alexandre Lunsqui Columbia University, NY -USA Fernando Iazzetta Universidade de São Paulo, Brazil Jonathas Manzoli UNICAMP, Brazil Karim Haddad IIRCAM, Paris-France Daniel Teruggi Ina-GRM, Paris- France Marc Battier Sorbonne-Paris IV, France Martin Supper Berlin University of the Arts, Germany Papers Submission ----------------- Papers must be submitted in PDF format via the JEMS online system (https://submissoes.sbc.org.br/home.cgi?c=450). Technical papers, up to 12 pages long, are supposed to present original research with scientific contributions. Music papers, up to 12 pages long, describe the experience of composers and users of computational tools to produce music. Extended abstracts of posters, up to 4 pages long, should present on-going research. Please carefully comply with instructions in publication templates. Papers which do not fulfill the requirements can not be published. Download files for manuscript preparation in accordance with the SBC guidelines from http://gsd.ime.usp.br/sbcm/2007/templates In order to get the paper published, it is required that at least one author register for the symposium by August 1st. More Information ================ For further information, please visit the symposium home page at http://gsd.ime.usp.br/sbcm/2007. For questions regarding the technical papers, contact Geber Ramalho (glr at cin.ufpe.br), for music papers, contact Mikhail Malt (Mikhail.Malt at ircam.fr). For other inquiries contact the symposium general chairs Fernando Iazzetta (iazzetta at usp.br) or Fabio Kon (kon at ime.usp.br).