Message: 5
I don't think I explained it very well. The idea
is to have no mastering
(or
minimal mastering - after this process) but to create a balanced mix by
changing the arrangement.
Well, I hope I didn't misunderstand what you're after, but thinking about
it from other angles, my answer doesn't change.
I wish it had been that easy when I had to do arranging courses! And as a
mastering engineer, I would point out that you haven't considered that one
of the big things we do is to match *different* songs. Mastering is like
proofreading, if you're assembling an album (which people don't
necessarily do as much in these days of .ogg and .mp3). But it's always a
good idea to separate writing (mixing) from editing and proofreading
(mastering.)
As you say, though, all's fair when looking for inspiration! :)
Cheers,
Phil M
--
Dept. of Mathematics, 342 Machray Hall
U. of Manitoba, Winnipeg, Manitoba, Canada R3T 2N2
Office: 446 Machray Hall, 204-474-6470
http://www.rephil.org/ phil at rephil dot org