I'm no expert on compressors, but I think
a
4-band compressor is a
really place to start for what you want to do, so
Jamin should be
helpful. My biggest recommendation would be to
compress as little as
possible. If I do too much it all sounds unnatural.
In my case it's
really only the band below 100Hz that's consistently
ranging down. The
other 3 are moving much less.
With the job I'm doing compression and limiting are
probably alot more extreme than what you're doing.
This is multitrack pop music. Reguardless, when I
reach for the last bit of gain, I'm limiting to damned
hard. If normalization does what I hope then it
combined with leveling the floor by cutting and
compressing dominant frequencies might enable me to
achieve greater "loudness" without the super hard
limiting. As I think about it, I'm not sure what else
normalization could be.
Good stuff, thanks for the help,
ron
> --- Steve Harris <S.W.Harris(a)ecs.soton.ac.uk>
wrote:
> > On Sun, Apr 11, 2004 at 10:04:43 -0700,
R
Parker
> > wrote:
> > > Not sure but I probably mentioned something
> about
> > this
> > > several months ago. Steve, do you have a
soft
clip
> > LADSPA plug? If yes, I think it should be a
> candidate
> > for adding to the output stage of JAMin.
>
> There are some soft clip LADSPA plugins, but I
dont
> think any of them are
> better than JAMin's "boost".
> The thing is my client has requested a %20
increase
> in
> volume across the entire album. The first
question
> is
> does he know what he's asking for. Well, he
probably
> has a fair enough idea. He has compared the
old
> master
> with stylistically similar million dollar
masters
> and
> concluded the percentage to increase.
>
> If anyone here has tricks for achieving gain, I
need
> to hear about them. My bag ain't got
alot in it.
I
> basically cut dominant frequency either
with
> compression or equalization and with the leveled
off
> floor, achieve gain possible; input,
compressor
> makeup, limiter input, boost and output. Of
course
> then it's just a matter of tweaking
ratios,
> thresholds, etc.
>
> The trade off in general is less dynamics and
more
> distortion with several deciables of
increased
> volume.
> I love the work but this job is like a No Rules
Cage
> Match. I might eventually win the title but
it's
a
> good thing I brought lunch and a first aid
kit.
>
> > I've heard that you can ignore peaks that only
go
> > over 0dB for less than a
> > millisecond, but I've not experimented with
it.
I think this is very specific to to where in the
chain it happens as
well as the exact system you're using.
>
> If that's the case, then I might have this job
in
> the
> bag. I'm watching overloads at the input
channels of
> my mixer flicker on and off. I've been
trying
very
> hard to have absolutely zero overload
indications.
>
> Any idea how to test this potential point of
> flexibility or how to push this limit? What am I
> watching for and how do I watch for it? This
seems
> like a very interesting area of study.
I've
gotta do
> a
> dirt knap and then maybe google about or
something.
ron
> - Steve
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