29 Mar
2005
29 Mar
'05
1:51 p.m.
On Tuesday 29 March 2005 18:23, Jan Depner wrote:
On Tue, 2005-03-29 at 09:40, Arnold Krille wrote:
Hehe, until now I never had the problem to limit my live-mixes. Normally there
is more need to push the highs on quiet passages or compressing the voices to
equalize head-movement on the lavalier-mics. And to bring the volumes of
speach and music more in line...
Seems as I will test Jamin on my next live-mix. ;-)
Arnold
--
There is a theory which states that if ever anyone discovers exactly what the
Universe is for and why it is here, it will instantly disappear and be
replaced by something even more bizarre and inexplicable.
There is another theory which states that this has already happened.
-- Douglas Adams, The Restaurant at the End of the Universe
And even with 10ms delay, why shouldn't it be
used for PA? If every
signal goes thru Jamin no one will notice the delay since (on big enough
events) no one will hear an original signal. And the musicians on stage
only get their non-delayed, non-jamined monitor mix and perhaps some
reflections from the buildungs (which are delayed with or without jamin
in use)...
If you bypass the limiter you could avoid the delay. I'm just
so
used to using the limiter that I never think about turning it off.