Dragan Noveski wrote:
Robin Gareus wrote:
come on Dragan, even you
hey, what means 'even me' ??
sorry. kind of a colloquial teaser ;) - i should have been more subtle
since that "Foul lang" thread. /nothing personal/ (the 14'56"
Brecker
version)
thx robin, i was even lookin at wikipedia, but not patient enough.
i just scrolled and looked at the images there; I didn't actually read
it :)
but as i realized that you are involved here, i was
thinking at is much
easier to ask for a translation.
omnidirectional sound good!
to resume the original subject: search the web for field-recording
equipment and microphone characteristics. - Many movie and TV
productions do have information about outdoor-recording setups!
it also highly depends on the application:
if you want to "aim" at a bird or if you want to capture the whole
surroundings.
0Hz does not always make sense. adding a low cut increases the
dynamic-range, but then again it all depends on the speakers used for
listening to the end-product: cinema-PA, car-stereo, audio-books,.. ?
the low-budget solution is to buy one of those battery powered old
MiniDisc-condenser mics.
For the "santa cruz mountain" experience, i suggest you rent some
pro-equipment for a week-end. you might even get some mic&preamps cheap
if you rent 'em off-hours, but I might be too optimistic there.
if possible go extreme: take a omidirectional micro and one of those
shot-guns - sounds to remember. consider sharing:
http://freesound.iua.upf.edu/ "santa cruz mountains" -> No files found...
remember LAC:
http://trinityaudiogroup.com/
"walk and mix technology" ;)