On Wed, 2007-04-04 at 10:33 -0700, Ken Restivo wrote:
Another show was held in what I think must have been a
church or union
hall basement. It was barely promoted; I came upon it almost by
accident. We walked into the room to find it packed with a large
"scene" of noise enthusiasts, most of whom seemed to know each other.
There were 3 or 4 performers (I don't remember exactly) armed with DAT
units, tape recorders, and samplers. And they issued a disclaimer
about ear damage and asked anyone with epilepsy to please leave. And
then the noise started. Harsh, industrial, arhythmic, practically
white noise. Layers and layers and layers of it, as one then another
tape machine was started up to add more noise. And the performers and
audience sat there... meditating. At the time I was mostly into jazz,
and had enjoyed enough avante-garde honking car-crash jazz to
appreciate noise, but this was a whole new level. The
tape-deck-jockeys sat there with beatific grins, spacing out. The
audience soon ended up in a similar state. The noise had blended
together into such an all-encompassing, seamless, overwhelming,
shifting whole, that was so loud and so overpowering that the overall
feeling became as still as silence. The noise had become so loud that
it was like quiet. It was a very unusual feeling. When the show was
over we were completely disoriented.
Welcome to the LAC concert experience. Or more precisely, this years
Maerz Music event. Josh said "i don't get this. we don't get paid to
write software, but we pay these guys to use our software to attack our
hearing systems".