On Mon, Dec 24, 2012 at 10:46:05AM -0500, Paul Davis wrote:
the guy from the chicago symphony who makes carbon
fiber violins still
seems to have all of his hair and digits, and i believe they are selling
reasonably OK.
Interesting, didn't know about those.
a luthier i talked to in berlin told me that most of
the magic of old
instruments isn't the techniques but simply the "physics" of what happens
to wood as it ages. the lignin changes its structure over long periods of
time, as do other components. he told me that the hardest part of becoming
a luthier is that it takes at least a decade to get your supply chain
established, a supply chain that lets you build instruments with wood that
has already aged for at least a decade. he said that the changes in the
wood structure continue for at least 100 years, but they become much
smaller with each passing decade. there is very little difference at all
between a 200year old violin and a 100 year old violin, but a huge
difference between one made today and one made 100 years ago, even if the
techniques are identical.
i liked the guy a lot, his studio was beautiful and he had a degree in
physics and mechanical engineering from a major US university. i chose to
believe him :)
Most luthiers will tell you the same thing. And indeed many of them
today have an engineering or science degree. I see no reason for
not believing it. The open questions are why and how this ageing
seem to *improve* the sound. It could very well have the opposite
effect...
Ciao,
--
FA
A world of exhaustive, reliable metadata would be an utopia.
It's also a pipe-dream, founded on self-delusion, nerd hubris
and hysterically inflated market opportunities. (Cory Doctorow)