On Wed, 16 Oct 2024 15:23:44 +0200
Fons Adriaensen <fons(a)linuxaudio.org> wrote:
So what does effectively remain of the 'smooth
saturation
and compression' that is claimed to give tape recording its
magical 'warm' character ? Is it just a myth ?
I guess it’s similar to Vinyl, where certain characteristics steming
from technical limitations are perceived to sound ‘nice’, with a dosis
of nostalgia. While at the same time, the fidelity under good conditions
is actually quite high. Thus a good simulation of that can only be
subtle, which increases the likelyhood that some EQing sounds about the
same.
I used to have Korg M1 workstation as my only means of producing music
and would record finished pieces on casette tape. In one case I wanted
more of a punk rock sound and oversteered the recorder. As far as I
remember, the distortion set in in a very good natured, gentle fashion
and maxed out with a rumbling, compressed sound that still left
everything recognisable. Digital distortion effects tend to be brutal
in comparison.
Maybe the simulation is more interesting if you strive outside
realistic parameters?
--
Thorsten Wilms <t_w_(a)freenet.de>