9 Jan
2012
9 Jan
'12
4:45 a.m.
On 01/08/2012 08:25 AM, Folderol wrote:
I would make the point that familiarity with your monitors is as important (if
not more so) as their supposed quality. With any studio setup you should play
as wide a variety of commercially produced music as possible so that you
become familiar with the quirks more-or-less at a subconscious level. Your own
mixes will then come out much better when played on other equipment.
Good advice. I would point out, though, that it's really important to
know the frequency range limitations of your monitors. If your monitors
have a range of 50Hz - 15kHz, for example, you could have some very
unfortunate things going on at 40Hz and not have any hint of it until
you heard the mix on a full range system. No matter how familiar you
are with your monitors, if you've got stuff going on that they can't
reproduce, you'll never know.
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Staat heißt das kälteste aller kalten Ungeheuer. Kalt lügt es auch;
und diese Lüge kriecht aus seinem Munde: 'Ich, der Staat, bin das Volk.'
- [Friedrich Nietzsche]