3 Mar
2004
3 Mar
'04
8:11 a.m.
On Wednesday 03 March 2004 5:26 am, R Parker wrote:
Man, you should hear the talent that Wilson is working with now. You will have
to fight him :-) He's been touring his legendary unreleased masterpiece SMiLE
- the album that should have carried 'good vibrations' et al. 'Pet Sounds'
is
also highly recommended. You don't have to like the music to appreciate the
ridiculous things he got away with as a producer / engineer.
--- tim hall <tech(a)glastonburymusic.org.uk>
wrote:
Unless your
name is Brian Wilson or George Martin
...
And how about the talent that Wilson was working with.
I was never really into their songs but the talent was
insane. If Wilson was here now, I'd have to fight him.
:) I guess the key to this type of thinking is to really
feel the groove. For example, if the drum kit beat and
conga track combined create a swing, maybe a reverse
gated verb on the snare can be timed to open wide and
stay open right to the conga swing note. The idea
being to exagerate the relationship and emphasize the
swing.
It's hard for me to articulate what I'm trying to
describe. Maybe it doesn't make sense. :)
Makes perfect sense to me and it's a useful new perspective. Thanks.
and possibly leave the bv's
Yes, absolutely.
dry BMW style.
Decisions like this might go beyound the "foundation"
and perhaps be dictated bye each song's requirements. Well, it seems we've dropped your egg into
boiling
water. Hey, I love all the topics you introduced.
Great stuff! Now I want to go listen to some Brian
Wilson productions.
Well, I'll have it any way but poached :-)
Thanks for your comments, that's really set me thinking.
Time to read up on some plugin docs now. :~)
cheers
tim hall