Atte André Jensen wrote:
Bob van der Poel wrote:
<snip>
...when I have serious (or fun) work to do I
write my score with MUP.
Could you elaborate abit about why you choose mup over lilypond?
I'll probably get flamed by the lilypond guys ... but:
I did spend some time with a number of products in 2004 and wrote this
review:
http://mellowood.ca/mup/mup-review.html
I know things have changed since then. But, I figure that so long as
something works I'll continue to use it :)
Biggest concerns for me:
- I find the syntax of mup much easier. I am quick to point out that
this might just be a case of "what one knows". MUP is certainly less
verbose.
- mup handles transposition very well. I'm not sure if lily does now
(it didn't last time I checked).
It is quite possible that the final output from a lily score may be
better. But to my eyes the stuff I get from mup is very good.
These days I don't do band scores anymore with multiple parts, etc.
Mostly I do lead sheets which I need to print in various keys (for Bb,
Eb, etc). I've got an automated tool chain for this and can crank out a
custom score from a fakebook with lyrics, melody and chord names in 20
to 40 minutes.
My biggest sadness with mup is that the authors have NOT decided to open
source the product. Certainly, that is their right and I'll not argue
that they must or should. They do regular updates and respond to user
requests and questions. But, one has to wonder if the product would
develop more quickly if more folk were able to hack at it.
I did know the existence of MUP, but I did not consider to use it....
The notation apps on linux seems to be more orientated towards Lilypond
(even for tablature: tuxguitar). So my choice was not difficult and at
the end (with all the notation apps (gui's) on linux in mind) I think
Lilypond will be the easiest solution...