On Tue, Apr 06, 2010 at 08:20:12PM +0200, Arnold Krille wrote:
On Monday 05 April 2010 20:48:03 Atte André Jensen
wrote:
Ken Restivo wrote:
Of course there is.... JAPA does exactly what I
want.
Thanks for asking the question and letting me discover japa, very
useful, I think I'm gonna be mixing with that running the next times!
Please don't use it while mixing.
Music is for ears, not for eyes. There is no point in a flat line in japa
produced by your music when it sounds like sh*, has flat voice, mistuned
instruments and sloppy rythm.
Use it to analyse your final mix in the beta stage. Use it to measure (and
correct) your listening environment. Use it to train your ears with music of
others.
But please don't use it for mixing music.
As Japa's creator I do agree with this.
You *can* use Japa while mixing, but indeed don't
make the mistake that a 'flat spectrum' is a target
to go for. It isn't. And Japa has more than one idea
of what constitues a 'flat spectrum' anyway.
Japa is a tool like any other, and if I may say so,
a good one. But *you* have to learn and use it, it
is not a substitute for training your ears, and for
being able to listen critically.
Ciao,
--
FA
O tu, che porte, correndo si ?
E guerra e morte !