On 22/04/13 08:40, Tim Goetze wrote:
[Q]
I can't quite put my finger on why I think it sounds a bit like Goblin,
it just
seemed to have a slightly dark, menacing tone to it, maybe even slightly
cinematic (all of which is absolutely fine by me).
There's of course the rainy background, the minor-centrism of the
harmony and the slight oddness of the beat, but for me the warmth of
the synth sound provides the prevalent mood.
Interesting, they're generally not synths that are regarded as warm and for
the most part it sounds quite thin to me, much of which is due to it being
single oscillator. Although not all the sounds are thin and the layering of
other parts has overcome it as well.
Sounding thin isn't a problem, in fact, I don't think the woodwind
emulations would sound as good, but it certainly lacks the fullness and
warmth of a Moog. It's interesting how subjective these things are and how
totally inadequate language can be at describing them :-)
But one
thing's for sure, it sounds absolutely nothing like Genesis :-)
Heh, I'll have to trust you on that, seeing that I know next to
nothing they made (but perhaps you already know that :). In any case,
to me it matters not where you take it from, but where you take it to.
Well, certain instrumentation made me think that that was a probably
direction, but my muse obviously had other ideas. Just goes to show it's not
the tools you use, but how you use them that is important :-)
Cheers
Q
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This tune has something that I quite like, Q.
Maybe that Goblin thing it rings on you has to do with the sounds of
Labyrinth OSB composed by Trevor Jones. It reminds me a bit.
Also, the brass sounds reminds me a little of Chick Corea's record "My
Spanish Heart";
If I may, I would suggest you could fix some detuned strings (I think
that's in some parts of the 12 string guitar) and some tempo drifting
(or it seems so in context with other layers).
Overall, a really good pile of layers, sounds and parts in a composition.
My two cents.
--
Carlos sanchiavedraz
* Musix GNU+Linux