I did mean that I don't accidentally take snare from another set and tom from another set, different sets being recorded and mastered differently. But provide the raw snare sounds as well. Prereverberated snares sounds great at first but then they are unusable in general. It depends on what type of music one does. Not everyone makes disco. Or computer fans are too noisy. Or zooming vertically to waveform display is annoying. There is no much space in the front of hit, but I have seen samples where the cut is too much. An extra fast artificial slope makes the sound kick, but it is unnatural. Extra space at the start does not make harm. Software can set the zero position deep in to the audiofile if one wishes. The major motto in my sound library project is that the raw samples are most important because everything else can be done later -- better than you and me can do. (So, I'm happy as long as I get the raw unprocessed recordings.) Making this a lot of pre-effected samples is an old-fashioned way. Now one should provide only raw samples and a software for making effected and spatialized sounds. Say, I could have a footstep sound and use software to make a person to walk in the room. Current sound libraries have sound such as "walking from left to right" --- quite boring actually. I have written my own. I thought to try something which those reverbs don't provide. Juhana