Hi Jeanette! Nice to hear something new from you, a beautifully composed and performed piece and the piano sound itself was quite engaging with the chosen Reverbs giving a very nice sense of space without going overboard. The dynamics were also phenomenal. Thanks for sharing, and don't make us wait so long for the next one! :) Glen ----- Original Message ----- From: "Jeanette C." &lt;julien(a)mail.upb.de&gt; To:"Linux-audio-users' mailinglist" &lt;linux-audio-user(a)lists.linuxaudio.org&gt; Cc: Sent:Wed, 5 Apr 2017 22:31:09 +0200 (CEST) Subject:[LAU] [Music] Z Podziekowaniem Za Magda Hey hey, it's been much too long, since I released something, so here it is: http://juliencoder.de/nama/magda.mp3 http://juliencoder.de/nama/magda.flac http://juliencoder.de/nama/magda.ogg Z Podziekowaniem Za Magda - roughly translates to "Thanks to Magda", a rememberance of a beautiful moment. It's a piano piece, containing a sort of toccata with an embedded fugue. Beyond the obvious emotional motivation, this is also an experiment in orchestration with reverbs. So, my technical thanks go out to Joel Roth for wonderful Nama, the recording software, which made it possible to realise my intentions. <3 Also to Hermann Meyer for the Guitarix plugins, the Wah is fantastic! I hope you'll enjoy it and maybe let me know if you do so or even if you don't. :) Best wishes, Jeanette -------- When you need someone, you just turn around and I will be there <3 _______________________________________________ Linux-audio-user mailing list Linux-audio-user(a)lists.linuxaudio.org http://lists.linuxaudio.org/listinfo/linux-audio-user

Bravo ! This is wonderful music, and gives relief to the heart. Le 05/04/2017 à 22:31, Jeanette C. a écrit :

On Wed, 5 Apr 2017 22:31:09 +0200 (CEST) "Jeanette C." &lt;julien(a)mail.upb.de&gt; wrote: A very nice, somewhat introspective, piece. The way silence plays a role in the beginning is very nice. Then the introduction of more definite chords at about 1:30 is subtle, although perhaps a bit too contrasting as it quickly goes on. Considering the beginning and the place silence has, not sure if that was meant to be so contrasting. The FX, the reverb, could have perhaps lent way to another voice, another instrument or, an ambient texture so that the piano remains to its character. Perhaps. :) All in all maybe a somewehat unified dynamic approach at mixing or mastering would have made the quietest parts a bit more (not too much !) in the forefront at the beginning and a few other places. Does not mean to make them louder per se, just to bring them a bit closer to the listener while retaining the silence. The piece could have more instruments, there's leeway for that in both the notes and the silence. A very nice listen, and then some more. Cheers.

On Wed, 5 Apr 2017 22:31:09 +0200 (CEST) "Jeanette C." &lt;julien(a)mail.uni-paderborn.de&gt; wrote: Hey Jeanette, A wonderful piece! The use of reverb/space, especially with the more sparsely played parts makes me feel in the room with the performance. Like the performer is aware of my response to the music. A little unnervng and alot beautiful! Very natural builds/pull backs wrt dynamics of the piece. I also really like the wah guitar's occasional appearance. It kind of expresses a lower level and darker causality of the emotion of the piece. This with the dynamics and use of space really provides the piece with so much dimension. Thanks for listen! --