On 8/5/07, Andrew Gaydenko <a(a)gaydenko.com> wrote:
Hi!
If I understand well, from "our ears point of view" correct panning
implies (at least) two jobs:
1. intencity differentiating for left and right channels,
2. time delay in accordance with a human head geometry (with
probable filtering to emulate a difraction).
Distancing (well, I don't know appropriate english term, I mean
placing a virtual sound source at given distance form listener),
I think, implies appropriate use of reverberations.
Existing stereo-practice (I mean both recording and listening) seems
not to be sutable for reproducing a sound field. Nevertheless I hope
there are some tips to obtain the best result at current audio
stereo-chain (mic - ... - loudspeakers) conditions.
Can anybody supply some links to (free published) articles concerning
the issue? It would be interesting when we have, as a starting point,
clean (i.e. using near field single mic) mono record.
I'd want to accent, I'm interested in *stereo chain* only rather in
multichannel (>2) systems. I'm sure such panning/distancing technics
exists as I have listened to Chesky test tracks.
Of course, I'll be glad to see less theoretical :) LADSPA-way tips
also!
Hi Andrew,
I'm not sure if this will help much, but here is a link to a bunch of
free articles about recording, mixing, mastering, etc. Hopefully
there may be something in here that will address your question in a
general way...
http://www.theprojectstudiohandbook.com/directory.htm
-TimH