11 Oct
2004
11 Oct
'04
7:47 p.m.
yup, for the classic cheesy analogue wind effect,
filter white noise with
multiple LFO modulation on the cutoff - with a hint
of resonance and maybe
some reverb or echo.
Well, I don't really want *cheesy*. ;-) Maybe I can
play around with varying amplitude, since that would
sound more natural.
While you're at it, there is nothing like the
"deep
space" very lowpass
filtered noise sound!
Sorry dude, maybe it's the end of the workday, but I
don't really get the joke if there is one. I didn't
think sound waves travelled in space. Are you talking
about background radiation from the BigBang translated
into analogous sound? Sorry I'm being dense. Cast
not your pearls before swine, especially brain-dead
swine.
Cheers,
Mark
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11 Oct
11 Oct
8:40 p.m.
New subject: [linux-audio-user] synthesizing a wind effect
On Mon, 2004-10-11 at 22:29, Mark Wilson wrote:
Sorry dude, maybe it's the end of the workday, but
I
don't really get the joke if there is one. I didn't
think sound waves travelled in space. Are you talking
about background radiation from the BigBang translated
into analogous sound? Sorry I'm being dense. Cast
not your pearls before swine, especially brain-dead
heh, not being scientific here - I'm thinking of the sound all the way
through the film 2001.
loads of these kind of film sound effects were done on ancient analogue
synths - David Lynch's films particually (I believe he did them himself
on early films like Eraserhead) http://www.imdb.com/name/nm0000186/
cheers,
dave
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1 comments
2 participants
participants (2)
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Dave Griffiths -
Mark Wilson