Atte André Jensen wrote: All synthesized with the analog synth module in AVS. Three instances are used: analog + Moog filter analog + waveguide filter analog + waveguide filter + Moog filter Everything treated to a very fine global reverb. It's definitely experimental. I used the AVS Cmask tools to create tendency masks, so the outcome varies from performance to performance. I also regard this sort of thing as available for anyone else to hack away at, i.e. anyone is welcome to make use of it as they like. Feel free to fit it with your musical ideas too. :) Thanks for listening/watching, Atte. AVS is rather difficult to get going, it has a cryptic GUI, and it takes some time to master. But I like it a lot, it's my favorite tool for composing with Csound, and I think its visuals can be very cool. Best, dp

On 7 July 2010 19:11, Atte André Jensen <atte(a)email.dk> wrote: Uh. I just watched the video having read these comments, but I was so wrapped up in trying to figure out if the visual textures correlated with the audio textures that 1:30-1:45 came and went and by the time I looked at the time, the time was 2:30-2:45 :-) I like the whole overall sound and mood of the music. I think I was more wanting something to change in the visuals at around the 1:30-45 mark even though I found it quite absorbing trying to work out if there were barely visible images coming through them. So it was satisfying when they do change ;-) The music brought to mind this track by the Aphex Twin: http://www.youtube.com/watch?v=bPw5DKZ5l8w&feature=related But it's nothing like it! Other than (in my half-educated mind) sounding 'classical' and 'electronic' both at the same time (which I always found that track by the twin to be quite the anti-dote to pop-pop-poppy-pop music which stole its way into my head with triteness).. Cheers, James.