sonofzev(a)iinet.net.au wrote: Nice :) It sounds like there's a few of us Melbournians kicking around on the list. Can I ask how you fit Ardour and your MPC together in your workflow? So far I've been using Ardour to record and either Rosegarden or Qtractor to sequence my synths (some software, but mainly my Blofeld), usually just a part at a time. Do you do something similar with the MPC for sequencing when recording, or is it mainly for live use? Thanks Leigh

sonofzev(a)iinet.net.au wrote: Wow. Not my personal cup of tea, but deftly made. You obviously know what you're after. Some technical questions: How many audio fragments do you typically use in a work like Tomms ? How do you usually assemble the mix ? Do you lay a percussion track down first ? And how did you do the percussion anyway ? How much did Ardour help you with the audio files, i.e. did you use its time-stretch or other tools to edit/alter the audio sources ? Despite the music not being what I work towards, I'm still fascinated by a production like this. Thanks for sharing your work again. Best, dp