On May 24, 2017 5:32:03 AM PDT, Will Godfrey <willgodfrey(a)musically.me.uk> wrote: Nice an relaxing ambient, Dave. So good, as always. I guess mostly Yoshimi? Thanks for sharing. --

On Thu, 25 May 2017 07:52:51 -0400 Dave Phillips <dlphillips(a)woh.rr.com> wrote: It's not really possible to say that 'synths combine well'. Especially with Diva and Zebra2 because of the wide range of sounds they are able to produce. I witnessed this recently with Diva and a series of soundsets that are different from the others out there simply because of the approach taken to create those sounds. Of course, due to their complexity they sound best using the multicore option. But it goes to show that one can make a wide array of sounds on flexible synths. As an example, how can a Zebra2 with 'Botanica' can sound well with synth B when the same Zebra2 can be loaded with The Unfinished 'Gravastar' ? When reaching for a synth to add a part, I often go by the synth. I|ll see an ACE in there, or some mysterious Bazille pads, or some Biotek complexity. But actually, I am more thinking in terms of soundsets. Not to nitpick here, perhaps just an observation on how different virtual synths can sound, to the point of having not a so well defined personality. That personality can be the guts of their filtering although I still think we are picturing in our minds soundsets when thinking of synths. Except for the simplest synths, of course. This from a guy who does not create sounds but modifies when needed sounds created by others. I still think it takes an awful lot of time to create expressive sounds. Create sounds or create music ? Cheers.