20 Sep
2013
20 Sep
'13
2:50 a.m.
I'm in the mix playing my linux netbook keyboard rig live from around 03:30:00 after
the Sun Ra tracks, through until the bitter end when it transitions into the Zardoz
soundtrack.
http://spazradio.bamfic.com/2013-09-18-all.ogg (warning: 5 hours of music).
Most of the linux synth work is between 03:55:00 or so until 04:41:00.
The MPC drums and loops (on Ableton, sorry) is Spukkin Faceship.
The rapper at 03:35:00 or so is Letter D from Guadalajara http://letterd.net/
The bass is me (fluidsynth) pretty much throughout. Lots of bass in this jam.
You can hear fluidsynth clavinet with Fons's autowah at various points. Also Rhodes
fluidsynth with JACK RACK, and plenty of Monosynth too. The echo I use excessively
throughout is a LADSPA plugin too.
-ken
20 Sep
20 Sep
1:09 p.m.
Hello Ken!
I've been listening to the portion between 3:55 and 4:50. Interesting. I
like the funk influence there. From the mean basslines to the cool clav and
everything. The drums are interesting, but especially the bassdrum is very
flat part of the time. It sounds like like a sneaker kicking a rotten salad.
But the loops/rhythms and variations were good.
What exactly was the context of this session?
Clav-infectedly yours
Julien
----------------------------------------
http://juliencoder.de/nama/music.html
6 p.m.
On Fri, Sep 20, 2013 at 01:08:40PM +0200, Julien Claassen wrote:
Hello Ken!
I've been listening to the portion between 3:55 and 4:50.
Interesting. I like the funk influence there. From the mean
basslines to the cool clav and everything. The drums are
interesting, but especially the bassdrum is very flat part of the
time. It sounds like like a sneaker kicking a rotten salad. But the
loops/rhythms and variations were good.
What exactly was the context of this session?
Clav-infectedly yours
Julien
Glad you're enjoying it.
This was part of a weekly live streaming radio broadcast which usually features DJ's,
MC's, producers, and occasionally some live musicians.
Spukkin goes light on the bass drum, I noticed, that's part of his sound, lots of
complex percussion and drums and not a heavy kick. That makes it easy to do the kind of
"winsheild wipers" polyrhythms I like to do (i.e. playing basslines and/or
melodies in 5/4 or 6/4 over a 4/4 loops), though I'm pretty sure I kept it straight
4/4for most of this show.
-ken
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2 comments
2 participants
participants (2)
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Julien Claassen -
Ken Restivo