11 Feb
2007
11 Feb
'07
1:39 p.m.
Hi!
A little while before the first beta, I started a little project
to test and get to know Ardour 2.
I had 2 rules:
- do everything in Ardour
- derive everything from a single sample "sample".
It's self-referring :)
S and P of the word sample make it easy to generate percussion.
It should also be well suited to minimize the impact of my kraut
accent ;)
All feedback and questions welcome. I can make samples of this
available, if someone wants them.
http://www.archive.org/details/the_sample
--
Thorsten Wilms
Thorwil's Creature Illustrations:
http://www.printfection.com/thorwil
11 Feb
11 Feb
4 p.m.
On 2/11/07, Thorsten Wilms <t_w_(a)freenet.de> wrote:
Hi!
A little while before the first beta, I started a little project
to test and get to know Ardour 2.
I had 2 rules:
- do everything in Ardour
- derive everything from a single sample "sample".
It's self-referring :)
S and P of the word sample make it easy to generate percussion.
It should also be well suited to minimize the impact of my kraut
accent ;)
All feedback and questions welcome. I can make samples of this
available, if someone wants them.
hehe, that's good ;-)
__________________
Marc-Olivier Barre,
Markinoko.
7:58 p.m.
Thorsten Wilms wrote:
All feedback and questions welcome. I can make samples
of this
available, if someone wants them.
Very nice!
I think it would be more appropriate with a more dry sound, maybe ditch
the reverb altogether and go for delay to keep it form being too dry.
--
peace, love & harmony
Atte
http://www.atte.dk | quintet: http://www.anagrammer.dk
| compositions: http://www.atte.dk/compositions
12 Feb
12 Feb
11:03 a.m.
On Mon, Feb 12, 2007 at 12:52:46AM +0100, Atte André Jensen wrote:
Thorsten Wilms wrote:
Thanks :)
All feedback and questions welcome. I can make
samples of this
available, if someone wants them.
Very nice! I think it would be more appropriate with a more dry
sound, maybe ditch
the reverb altogether and go for delay to keep it form being too dry.
Nah, I like it wet :)
--
Thorsten Wilms
Thorwil's Creature Illustrations:
http://www.printfection.com/thorwil
11 Feb
11 Feb
9:17 p.m.
Thorsten Wilms wrote:
All feedback and questions welcome. I can make samples
of this
available, if someone wants them.
We could always make use of *THE* sample ;)
This is great! Hilarious and at the same time well done!
--
Ringheims Auto - Fri musikk for bilstereo!
http://ringheimsauto.org
12 Feb
12 Feb
6:32 p.m.
On Sun, 11 Feb 2007 18:39:12 +0100
Thorsten Wilms <t_w_(a)freenet.de> wrote:
Hi!
A little while before the first beta, I started a little project
to test and get to know Ardour 2.
I had 2 rules:
- do everything in Ardour
- derive everything from a single sample "sample".
It's self-referring :)
S and P of the word sample make it easy to generate percussion.
It should also be well suited to minimize the impact of my kraut
accent ;)
All feedback and questions welcome. I can make samples of this
available, if someone wants them.
http://www.archive.org/details/the_sample
That's a very clever piece of work. Reminiscent of the days when we
made up sounds by cutting and splicing tape ... but considerably more
sophisticated :)
--
Will J G
13 Feb
13 Feb
8:06 a.m.
On Mon, Feb 12, 2007 at 10:32:14PM +0000, Folderol wrote:
That's a very clever piece of work. Reminiscent of the days when we
made up sounds by cutting and splicing tape ... but considerably more
sophisticated :)
Thank you :)
I've been thinking there have to be pieces with the same concept,
but I don't know any.
Regarding tape, decoupling speed and pitch is great, not to speak
of undo, makes me happy to be born late ;)
--
Thorsten Wilms
Thorwil's Creature Illustrations:
http://www.printfection.com/thorwil
8:42 a.m.
Thorsten Wilms wrote:
I've been thinking there have to be pieces with the
same concept, but I don't know any.
"A Door And A Sigh" is a famous example. Some of Paul Lansky's pieces
work with similar transformations of the voice, ditto for some of
Charles Dodge's works.
I have a long-ish piece called "The Theory & Practice" which is built
entirely from transformations of spoken words done with Csound and Cool
Edit (yes, it's an old piece). More recently I've been experimenting
with ImproSculpt and spoken word, it's fantastic tool for slicing &
dicing input files and streams.
Best,
dp
8:51 p.m.
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Hash: SHA1
On Tue, Feb 13, 2007 at 01:05:00PM +0100, Thorsten Wilms wrote:
On Mon, Feb 12, 2007 at 10:32:14PM +0000, Folderol
wrote:
Wow, that's outstanding: a excellent idea that is very well-executed.
As for similar peices, there was one in the early 1970's called "Radii" made
out of all words that begin with "rad": http://www.radiom.org
But I like yours better because I can dance to it.
- -ken
That's a very clever piece of work. Reminiscent of the days when we
made up sounds by cutting and splicing tape ... but considerably more
sophisticated :)
Thank you :)
I've been thinking there have to be pieces with the same concept,
but I don't know any.
Regarding tape, decoupling speed and pitch is great, not to speak
of undo, makes me happy to be born late ;)
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14 Feb
14 Feb
5:18 a.m.
On Tue, Feb 13, 2007 at 04:50:52PM -0800, Ken Restivo wrote:
Wow, that's outstanding: a excellent idea that is very well-executed.
Thank you very much :)
As for similar peices, there was one in the early
1970's called "Radii" made out of all words that begin with "rad":
http://www.radiom.org
Flash audio doesn't work here and I can't be bothered to fix it :/
But I like yours better because I can dance to it.
Heh. Wonder how that looks like for the last bit ;)
--
Thorsten Wilms
Thorwil's Creature Illustrations:
http://www.printfection.com/thorwil
5:27 a.m.
On Tue, Feb 13, 2007 at 04:50:52PM -0800, Ken Restivo wrote:
As for similar peices, there was one in the early 1970's called "Radii"
made out of all words that begin with "rad": http://www.radiom.org
Found there's a MP3 via M3U stream on
http://www.archive.org/details/AmirkhanianHutHarsh
http://www.archive.org/stream/AmirkhanianHutHarsh
--
Thorsten Wilms
Thorwil's Creature Illustrations:
http://www.printfection.com/thorwil
17 Feb
17 Feb
8:20 a.m.
2007/2/11, Thorsten Wilms <t_w_(a)freenet.de>de>:
Cool!
Arnold
--
visit http://www.arnoldarts.de/
---
Wenn man mit Raubkopien Bands wie Brosis oder Britney Spears wirklich
verhindern könnte, würde ich mir noch heute einen Stapel Brenner und
einen Sack Rohlinge kaufen.
8:38 a.m.
Greetings:
I'm having some fun playing around with Thorsten's piece sliced & diced
in ImproSculpt. One question: What is the original tempo ? I'd like to
match ImproSculpt's integral percussion loops to the tempo of Thorsten's
music.
Ja, I know, I can just play it and find out, but I'm not at the right
machine.
Best,
dp
9:07 a.m.
On Sat, Feb 17, 2007 at 07:56:52AM -0500, Dave Phillips wrote:
Greetings:
I'm having some fun playing around with Thorsten's piece sliced & diced
in ImproSculpt. One question: What is the original tempo ? I'd like to
match ImproSculpt's integral percussion loops to the tempo of Thorsten's
music.
150 BPM. It happens to be such a round number because I had to decide
on it early on ... here's hope that mapping regions to bars/beats/fractions
instead of time will be implemented as option after 2.0 :)
--
Thorsten Wilms
Thorwil's Creature Illustrations:
http://www.printfection.com/thorwil
6710
days inactive
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days old
linux-audio-user@lists.linuxaudio.org
14 comments
8 participants
participants (8)
-
Arnold Krille -
Atte André Jensen -
Dave Phillips -
Folderol -
Johannes Mario Ringheim -
Ken Restivo -
Marc-Olivier Barre -
Thorsten Wilms