On Wed, 5 Aug 2015, F. Silvain wrote: Before I say anything, I play music, but am in no way a music scholar or producer. So I am giving my impressions from that point of view. To me this is an album of music rather than a track. There are pronounced changes from one part to the next and as such some that I liked better than others. If I was going to keep this for personal listening I would probably just use the parts I like :) My first impression is that the mixdown seems to do well at allowing me to hear everything. So even if the lead line may seem low to me sometimes, it still works well because I can still hear it and follow with no effort. (maybe some of the guitar is bit low.. but I tend to mix it too hot) I liked the choice of sounds used over all too. I like the clav sound BTW. The mastering is fine to me, but there are others on this list with a better ear. I enjoy the dynamic space. Are the drums recorded or sequenced? (live or samples) -- Len Ovens www.ovenwerks.net

Hi, This song is a great example to show what can be achieved with a command line DAW !! Although the playing is often "loosy" (players not always in sync) I was pleased listening to it, especially because the mixing is very good, sort of dry with a good space. Pleasant to listen without fatigue. I often listen to horrible mixes coming from over-pluginized-protools sessions which are really far from what you have achieved. Some parts makes me think back to a original band called Korekyojin https://en.wikipedia.org/wiki/Korekyojinn Keep the music going on Raphaël