Niels Mayer wrote:
Robin --
Many thanks for the information and perspective you provided. I too
thought ABC might be a good possibility; would MusicXML be an
improvement?:
It certainly offers more possibilities. ABC is only a subset.
MusicXML has it's shortcomings - as presented by Reinhold Kainhofer this
years LAC:
http://lac.linuxaudio.org/2010/?page=program - but these are
mostly limitations concerning typesetting not MIDI/Musical ones.
http://staff.dasdeck.de/valentin/midi/sequencer.php is fun to toy around
with (there goes another half-hour of precious time). The sources are
available for download but there's no license with them. mmh.
We're also drifting a bit off topic: an archive or revision system for
midi compositions is not the same an online midi-remix platform; though
the latter could make use of the former.
From the subject I gather that you were only looking
for such a system,
but from the text you wrote in previous emails you were also
hinting at
creating one..
building a web-archive is probably not too complicated; gaining critical
mass and maintaining it is. I don't know if any ccHost or freesound devs
are subscribed to LAD; but reaching out to those seems like a wise step
to do.
As for potential users & use-cases; maybe "Packet In" (formerly the
Linux-Audio-User Chillout Band) can provide some input.
FYI -- my father sent me this link to NYT article
which is *very*
interesting, not quite what i was looking for, but interesting "proof
of concept" (and indication of public interest in this sort of thing)
nonetheless....
yeah; I was suprised to learn that "only 12.6 percent of American adults
play a musical instrument even once per year."
They don't work here with Firefox on Linux :/
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Thank you for your interest in composing your own version of Piano
Etudes. To create your own version and share it with other readers of
The Score, a series of writings by composers on The New York Times’
Web site, follow these steps.
1. Click on an etude below to begin creating your own version.
2. Once you are happy with your version, click the sharing menu on the
left side of the screen, click the “Save and share my etude” link, and
then click the button labeled “submit to a special gallery for readers
of The Score.”
...
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http://opinionator.blogs.nytimes.com/2010/05/24/compose-your-own-part-2/
-->
http://turbulence.org/spotlight/pianoetudes/net.jasonfreeman.pianoetudes.Pi…
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In a recent post on The Score, I invited readers to use an interactive
Web site to create and share their own unique versions of four solo
piano etudes, regardless of their background in music or in
composition. The Web site presents each etude as a graphical
“open-form” collection of short musical fragments that can be arranged
in an almost infinite number of ways.
Readers submitted nearly 100 remixes to a special gallery on the
project’s Web site. (I listened to all of them and selected my
favorite version of each etude. The pianist Jenny Lin then printed out
the scores for these four versions, practiced them, and recorded them
at Patrych Sound Studios in New York. Video clips of her performing
each one have been added below.
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It certainly oversimplifies the process of composition and comparing it
with Stockhausen's Fragments (from TFA) is IMO kind of ridiculous.
Etudes are pieces to perfect one technical skills on an instrument; so
building an "Etude remixer" is even more questionable.
That being said, it's still a nice prove-of-concept.
best,
robin
The author : "Jason Freeman has written music for
the American
Composers Orchestra and created Internet art for Rhizome and
Turbulence. He lives in Atlanta, where he is an assistant professor at
the Center for Music Technology at Georgia Tech. His Web site is
http://jasonfreeman.net "
-- Niels
http://nielsmayer.com