On Mon, Dec 31, 2012 at 4:01 PM, Folderol <folderol(a)ukfsn.org> wrote:
On Mon, 31 Dec 2012 15:39:45 -0600
Charles Henry <czhenry(a)gmail.com> wrote:
However, phase shifts aren't much of a
problem by themselves--they're all
over the place in any typical multi-driver system and placement in the
room
matters just as much. The loudspeaker crossover
introduces the same
effect.
A slight digression...
For a long time I've wondered if the ear, being a non-linear 'device' can
actually detect absolute phase at low frequencies. i.e. if the
compressions and
rarefactions were swapped, would it sound different?
To test this with a mono source presumably all you'd have to do would be to
have an asymmetric signal and swap the speaker leads, but how would you
objectively test the listener?
--
Will J Godfrey
You design a psychoacoustic experiment. The case you mentioned is a very
narrow case to look at how the ear discriminates phase differences.
Objectively determining if/how the listener has a different response with
differences in phase is just plain scientific experiment design.
Psychoacoustics tends to have some very interesting experimental
methodologies. I used to read a lot of papers and was frequently surprised
how clever the experiments are.
Phase-locking is *very* significant in the human auditory system--if
scientists have not found how phase differences can change how a sound is
perceived, it may be that we're not asking the right questions.
Chuck