... feel like doing some [counter]ranting tonight...
On Sat, 21 Jun 2003 12:43:24 -0700 (PDT)
R wrote:
I think many musicians feel no need or appreciation
for the intellectual freedom that the linux
communities thrive on. They simply want to swing the
hammer and hit the nail.
I think most of them [among the many above] don't actually understand the issue. A
lot of them have grown up believing that it is possible to 'make it big', strike a
major record deal and all that stuff so they're more interested in the mainstream hunt
for fame. That's all they know and anything else smells funny. The idea of giving
music away for free is just unacceptable (well, a 30 sec excerpt is OK) and if you provide
them with documentation they: a) simply don't understand or b) don't have time to
read it (hanging out for a week at some crappy music fest is OK). The media does not talk
about open[source][software][music] because even they don't understad it and have no
interest in it. Any gatherings of linux users or open software coders/supporters are just
considered as geeks meetings not worth any attention. Or simply are discarted as cult
meetings.
Linux is not advertised enough and the philosophy of open source (as applied to anything,
not only software) has an aura of undesirable communist overtones which are still a menace
after the progressive fall of some communist states over the past 2 decades.
On one hand I can sympathize
with that circumstance. But on the other hand it's
depressing.
this is so very true
I believe these people can't call
themselves poets. How can anyone consider themselves
an artist while choosing to support intellectual
slavery?
Because this is how the system has been working ever since the recordings became
available. This is all they know and they also want to protect their rights and their
intellectual property. It is the only way they know about.
It's rediculous. They're not artists,
they're
misled apprentices at best and perhaps no more than
monkey see monkey do automotons.
I can agree with this I have met many 'artists' like that. The problem, however,
lies in the fact that without a motivation and an incentive to actually find out more, one
will have no idea where to start. I know some great artists (musicians and otherwise) who
are slowly getting to know the issues regarding open licenses but, otherwise, they're
worthy of the term 'artist'. Again, lack of education (about linux and such) and
misleading image of Linux (Just for geeks) is the problem.
Another problem is that of the 'masters' who produce such 'misled
apprentices'. But that's OT.
Combine all this shift in philosophy/economy of the idea and the fact that, on top of all
this, one must change his way of thinking about computing, change software (and learn new)
and reshape all the work habits (if any) and you get one scary situation.
side note: BTW, learning a bunch of new softwares and acquiering some new working habits
in the software world is a matter of personal growth (at least on the artistic level), in
my book at least.
And I can relate to that because I experienced it that way (almost).
When I first started using linux it was because the software was free as in beer. I
don't know why I persevered, must be bacause nobody else around me was using it and I
always liked to use stuff that nobody else uses. But it is only thanks to the fact that I
commited myself to use software that's perpetually in alpha or beta stage which costs
0$ (as compared to some other beta sw that I used and paid some $400CAD) and the
developers that would fix problems instantly (well, overnight), and users that provided
patches in a matter of hours (I am totally a non programmer) that I became aware of the
free as in freedom aspect of the whole linux movement.
Eventually, I took time to review the whole open-source thing and grew to appreciate it.
One problem I became aware during the exchange with
my
friend is that Linux is percieved as a technically
difficult solution. That's an interesting perception
and the LAD/LAU communities can deal with it. The
larger Linux community has made a great deal of
progress with this.
True, up until recently linux was a major pain, especially for someone who's not so
computer savvy.
I was first exposed to LInux around 95 or 96. I had a PowerMac then and getting linux to
work and talk nicely to all components (especially audio) was a major pain.
A couple of months ago I went to visit a friend, he pulled out a set of recent Mdk CDs and
his G3 laptop and in a matter of couple of hours we were jamming with pd and a couple of
other toys. That's a major improvement in a relatively short time.
Maybe it's more difficult to configure linux.
well, it actually is possible to configure linux. I am not sure about other OSs :)
But it's
alot less painful to purchase and configure x86
hardware, rme cards, and a $2,000.00 digital mixer
than it is to invest in a $15,000.00 Protools setup.
That, I guess, depends on your budget. Also, I noticed that people who are not vey
computer savvy prefer the tech support that's expensive and comes stright from the
company that made the offending software.
ok, I think I typed enough for tonight...
-- ./MiS
_
__ __ (_)___ Michal Seta
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