Hello. Would anyone have Csound mailing list archives posted
before Feb 1997? I could not find them from Dream at UK.
Has anyone archived them privately and could give them to me?
Anyone on Csound list could request them for me?
Best regards,
Juhana
CALLE MARIA MOLINA 67
Tel:0034 665 092 229
Fax:0034 91 615 33 66
E-mail: lotteria_laprimitiva(a)latinmail.com
FROM: THE DESK OF THE PROMOTIONS DIRECTOR,
INTERNATIONAL PROMOTIONS/PRIZE AWARD DEPARTMENT,
REF: LP/26510460037/03
BATCH: 24/00319/IPD
RE: AWARD NOTIFICATION FINAL NOTICE
We are pleased to inform you of the release today, 29th August 2003,of
the ELGORDO SWEEPSTAKE LOTTERY/INTER-NATIONAL PROGRAMS held on the 25th
August,2003.
Your name attached to ticket number 025 11464992-750 with serial
number 2113-05 drew the lucky number 3-18-19-30-32-40, which consequently
won the lottery in the 1st category.
You are therefore been approve for the lump sum pay out of �uros
911764.47. (Nine hundred and eleven thousand seven hundred and sistyfour
.fourty seven cents.) in cash credit to the file REF: LP/26510460037/03.
This is from a total prize of �uros 15,500,000.00 share among the
seventeen (17) International winners in this category.
CONGRATULATION!
Your fund is now deposited with a Security Company MADRID CREDIT
COMMISION. Due to the mixed up of some numbers and names, we ask that you
keep this award a top secret from the public notice until your claim as
been processed and your prize money remitted to your account as this is a
part of our Security protocol to avoid double claiming award or
unwarranted taking advantage of this program by participants.
All participants were selected through a computer ballot system drawn
from 25,000 names from Australia, USA, Europe, Asia ,New Zealand,
Middle-East and South-North America .As part of our international promotions
program, which we conducted once in a year. We hope with a part of your
prize, you will take part in our end of the year high stake �uros 300
Million International Lottery.
To being your claim, please contact the issuing authority, your prize
claim agent, Mr Jose Carlos Blanco, (Foreign Service Manager) for
processing and remittance of your prize money to a designated account of your
choice. Tel: 34 -655-103-635 .Email:lottoprimitva@eresmas.com.com
Remember, all prize money must be claimed not later until than the 29th
September, 2003. After this date, all funds will be returned as unclaimed.
Note: In order to avoid unnecessary delays and complications, please
remember to quote your reference and batch numbers in every of your
correspondence with your agent.
Furthermore, should there be any address do inform your claims agent as
soon as possible.
Please remember to ask for your prize claim certificate.
Congratulation again from all member of our staff and thank you for
being part of our promotion program.
Best regards,
Director.
Doesn't add any features, but builds with raptor 1.0.0 and removes
a dependency on the LADSPA SDK.
Now requires raptor 0.9.11+ and pkg-config
http://plugin.org.uk/lrdf/liblrdf-0.3.2.tar.gz
liblrdf is a library for handling RDF desciptions of plugins. It allows
them to be categorised and thier metadata to be queried without
loading the .so files.
RDF is a W3C standard for metadata: http://www.w3.org/RDF/
A categorisation of the CMT library is available:
http://plugin.org.uk/lrdf/cmt.rdf
And swh-plugins comes with an RDF description of itsself.
- Steve
hello there,
we are writing here a software that requires capturing code to stream live
voice from one machine and play it on the another machine through a
network.
can anybody enlighten us for a library or a method we can use to capture
the voice and stream it on the /dev/dsp??
as soon as we get this working, we will go through some advanced stuff,
and we will be sharing this with you later.
thanks and regards.
--
(o_
//\ Ghaith Nasrawi
V_/_ The American University in Cairo
"In all matters of opinion, our adversaries are insane."
Oscar Wilde
Hello,
the german magazine KEYBOARDS has answered a readers question
about audio and linux with tremendous ignorance. I think this
is a good chance to push linux to the attention of "the masses".
Here is the full text of question and answer (first in german,
so anyone can correct my errors ;-).
--- KEYBOARDS --------------------------------------------------
Leserbrief:
Habe mir schon ein paar Mal KEYBOARDS am Kiosk geholt, weil mich
gerade das Thema Recording und Computer interessiert. Einige
Artikel waren für mich recht interessant. Nur vermisse ich
gänzlich Vergleiche mit Linux. Ist es Absicht, dass dieses
aufsteigende System nicht erwähnt wird, oder traut sich keiner ran?
Seit einigen Monaten steige ich auf Linux um, nur meine
Musik-Geschichte hängt hinterher. Dabei gibt es in SuSE eine
Menge Musik-Software und Synthesizer, und ich habe gelesen, dass
einige Programme bald zur Marktreife gelangen. Von Verkäufern
höre ich, dass sie nicht am Linux interessiert seien, weil man
da nix mehr verdiene. Von anderen höre ich, Linux sei kein
Multimedia-System. Desinformation auf der ganzen Linie ...
Rainer Hain (KEYBOARDS):
Das Ganze ist ein recht kompliziertes Thema. Linus Thorvald
selbst hält Linux nicht für Audio oder generell für
Multimedia-Anwendungen geeignet. Low-Latency ist mit den
aktuellen Kerneln schlicht nicht zu machen, schon gar nicht
Multichannel.
Dazu kommt dann, dass ein Setup von Linux heute zwar simpel
ist, aber nur, solange man nicht von einem Standard-SuSE
abweicht. Und das muss man, wenn man Audio und MIDI betreiben
will. Deshalb springt kaum ein Sequenzer-Hersteller drau an, die
fürchten den ungeheuren Support-Aufwand. (Man erkläre dem User
mal am Telefon, dass er ein Make-File ändern muß und wie er dann
die Sources neu kompiliert ...)
Deshalb gibt es auch kein Package, was auch nur entfernt an
Cubase oder Logik herankäme.
An der Treiberunterstützung hapert es halt auch. Ich habe
hier zwar eine gute Auswahl an gängigen Interfaces (Audio und
MIDI), aber für keines davon gibt es Linux-Treiber.
--- english translation ----------------------------------------
Reader:
Sometimes I have bought Keyboards cause I'm especially
interested recording and computer. Some articles seemed to me
very interesting. But I deeply missed any comparisons with
linux. Is it intended that this rising system is not mentioned
or does noone felt able to do it?
Since some month I'm migrating to linux -- only my musical
things are left behind. Despite SuSE having a lot of music
software and synthesizers; and I read about some programs coming
to end-user stability soon. From dealers I hear, that they are
not interested in linux cause there is nothing to earn. Other
people say, linux is not a multimedia system. Desinformation
all along the line.
Rainer Hain (Keyboards):
This is a very complex matter. Linus Thorvald himself considers
linux not to be suited for audio or universally multimedia
applications. Low-latency cannot be achieved with current
kernels especially not multi-channel.
On top of that comes the fact, that a setup of linux is quite
simple today, but only if you don't leave the standard SuSE.
But this must be done to work with audio and midi. Therefore
hardly any sequencer manufacturer uses linux -- they fear the
tremendous support effort. (try to explain a user on the phone,
that he has to change a makefile and how he must compile the
sources ...)
Therefore there is no package that can hardly reach the level
of Cubase or Logic.
The driver support also is a problem. I have a great variety
of popular interfaces (audio and midi) but there is no linux
driver for one of them.
----------------------------------------------------------------
I hope we are able to shape a convincing answer!
Yours
Uwe Koloska
--
voiceINTERconnect www.voiceinterconnect.de
... smart speech applications from germany
Hello. I picked the text below from xine-devel, but I picked it too
late. If this topic has been discussed here, I have missed the thing.
If Europe gets the software patents, I'm willing to archive
any withdrawn software to our archive site ftp.funet.fi.
There they may wait another 20 years for reappearence.
What to do if Europe gets the software patents and your
software is requested to be taken away from public?
How far one should go in order to get the case officially
reported? At least, one should not take anything away
upon an e-mail request as then nothing is officially reported.
It is important to get the cases reported each time so that
the cases can be analysed later by the researchers.
Juhana
[ someone wrote in xine-devel ]
>The European Parliament will debate and probably decide on a proposal
>for a software patent directive on September 1st. If this directive is
>passed, things like algorithms and business methods such as Amazon
>One Click Shopping will become patentable in the European Union just
>like they already are in the United States.
>
>Read more about the issue here: http://swpat.ffii.org/index.en.html
Hi, I wrote a simple but very efficient real time safe memory allocator
in C++ that is useful in real time audio apps where you need to allocate
objects dynamically.
(badly enough there are still too many audio developers that
call new,delete, malloc() and free() within the audio RT thread !)
It works by pre-allocating a fixed pool of elements which can then
dynamically allocated and freed.
The alloc() and free() have fixed execution times and are inlined
thus if you look at the resulting assembly code it takes only
8-9 instruction for full allocation/deallocation.
It has the limitation that the pool contain elements of
the same datatype/size. Each element is a node of a doubly linked
list (the free-list) so keep in mind that if you create a pool
of N elements with s=sizeof(your_datatype).
The total memory usage is (N+2)*(s+8).
So it is not ideal to create large memory pools of chars (1 byte)
because for each char you would need 1+8 bytes of mem.
But for larger data structures it is ok.
creation of the memory pool:
RTMemoryPool *mypool=RTMemoryPool<your_datatype>(number_of_elements);
allocation of a element:
my_datatype *element=mypool->alloc();
freeing of an element:
mypool->free(element);
destruction of the memorypool: (frees up all the memory):
delete mypool;
Using the RTMemoryPool class requires only the inclusion of
the rtmemorypool.h header file, no .cpp files required.
You can download the RT memory allocator (which contains an small
example that user the class)
here:
http://www.linuxdesktop.it/download/rtallocator-0.0.2.tgz
if you find bugs or have suggestions let me know.
(write to benno@ and not sbenno@ because I do not read that mailbox,
too much spam).
cheers,
Benno
-------------------------------------------------
This mail sent through http://www.gardena.net
Hi,
Just a compilation fix:
* fixed a missing parameter that stopped compilation with recent GCC
versions
http://pkl.net/~node/alsa-patch-bay.html
Bob
--
Bob Ham <rah(a)bash.sh>
Can you say "death chambers at Guantanamo with no real trial"?
Greetings:
While profiling FLAC I discovered that the format includes a metadata
format for including cue sheet data for use in CD mastering
applications. When I looked for a Linux-based cue sheet editor I found
only the very outdated CDB (CD Builder), which, true to its author's
advice, will not build under GTK 1.2 or 2.x. I thought perhaps JAM would
concern itself with cue sheet data but I think that's not its domain
(the FLAC docs note that the cue sheet data is intended for CD authoring
apps).
Btw, I downloaded and tried running some Windows-based cue sheet
editors under WINE, with varying success, but none were completely
useful. Maybe I should update my WINE installation again, but I'd prefer
a Linux-based solution anyway.
Sorry for the cross-post, I thought perhaps someone on LAD might be
developing such a creature (?). Do any users on LAU utilize a cue sheet
editor for any of their work ?
Best regards,
== dp