(Here is an unusual mail trying to describe as entertainingly as possible what it's like to set up a modular production environment in GNU/Linux. I owe the greatest of respect to anyone who've made the softwares mentioned below and their work do not misunderstand a joke for a blunt critic. ) Dear Lads, You haven't heard much from me lately, and I'm sorry for that. For one year and a half I've been sitting in front of my minimal -yet fairly high endish - music production set up doing nothing but programming. Those expensive things were only used to playback cd and digital files... ... you know what that means : I was becoming an audiophile. Holly horse poop, I can't beleive I said that... but it's true. Few weeks ago, realizing this dreadful fact- I decided to start a rehab : let's fire up the preamp and let's record some stuffs. Just to prove the world I'm not just another bragging gear slut (hopefully). Of course, just to make things harder I decided not to use the full-featured highly expected (and probably amazing) Ardour 3. Why not ? Because I've suffered 8 years of (gnu's not)Unix propaganda and now I praise "modularity" above anything else. Mh, and I guess 27 years of Legos(tm) didn't help neither (Don't judge me, Technics are a great prototyping tool. ... . That's the best excuse I have). Lately, thanks to nedko (gladish), male (non-suite), drobilla (patchage, ingen), falktx (Carla) (I always have to check the letters order for this one nick :/) and few others,goal my has become -somehow- tangible. Part one : THE SETUP When you start a big music project with high expectations with GNU/linux you need two things : 1) Make sure not to have a deadline 2) Make sure you are fully relaxed Cause, you know how it is : those softwares are all quite young and only used by few people. Therefore, "few people" means very few bug reports. And of course those softs are made by volunteers who can only solve them when they have enough time. Considering all this, it's already great everything works ! Having few bugs every once in a while in a software is no big deal... But the thing with modular audio, by definition, is that you're gonna use dozens of them. At once. And bugs DO stack. But I'm rushing a bit, we're not there yet, cause at this point of the story I haven't picked my softwares already (except for the non-suite). I don't have any effects nor midi anything : I need to gather some more stuffs to work with. And I must say I felt a bit like Indiana Johns having to gather some pieces of a mysterious puzzle : "Your six strings shall sound heavenly and You synths shall have many melodies. and you will have to travel the Internet to find what you need." Ok, the guitar part is an easy one : guitarix. It's just amazing. Let's use it... and ! Oh gosh ! It's a trap ! There's no way to recall a preset, it not patched with NSM... quick ! Use CLI, they MUST have a "import" option ! Oh crap NO ! They don't ! I thought my quest would be easy but no. Instead of being able to pick guitarix, I found a new quest : "use the LV2 version". No big deal, let's just move to another place. Carla. it usually works fine... but...gosh all my plugins are here except the amp simulator... what the heck ? Ingen then... erf... no, for some reasons this plugin doesn't make a sound. Damn. Back to Carla... with another quest : "You shall not use the Stable version. Use the git version". It's gonna be harder than I thought. Building is usually a piece of cake... but not this one time. Eventually, in a last desperate attempt, I tried one more build, and succeed.... Until QT5 -my trusted friend for years- suddenly decides to betray me by placing booby traps all over the place to make sure I'm not able to add any effect. Luckily, the scientist in the team -Falktx- has been able to diffuse those. Finally ! Now I have a guitarix preset I can save and load with NSM. Holly crap. Everything's set for the guitar. It's tome to move on to our glorious quest for MIDI. This quest was such a weird experience. I went to the vaste land of Rosegarden, where the GUI almost made me blind and mad. I tried the purity of a non-sequencer until it exploded right in my face. I went to an oddly useless 1 bar non-chromatic sequencer... Ok. It's gonna Seq24 then. It's not perfect, but I can use it.... Let's just call the maintainer to fix the few problems... or not. Nobody's actually taking care of this software. Screw it. I'll use it anyway. It's been a week already, and most of the musicians in my party have given up for an easier world where you can buy peace. I've been able to make some sounds and that's what keeps me going... I don't know how long this will take, but I'll gather all the pieces of this modular music machine. Eventually with the help of the LAD's scientist, it'll work properly. Let's keep faith. Love. Tumulte. P.S. : As tedious as it was, I'm still thrilled by the potential of a well integrated modular audio software suite. I must say I'm even more exited when I see what's *already* possible today. Therefore I'd like to make a call for a working group around this question cause it's really (*really*) close to something great. I believe that a nice dialog between users trying to setup real production environments and coders can quickly bring out a kick-ass suite that can bring linux audio to the next level. P.P.S : all the best, and thanks for reading.