25 Aug
2009
25 Aug
'09
4:27 a.m.
Hi,
something for the guitarists around. This is the patch, that Miller Puckette
explained during the workshop at LAC2008.
Ciao
--
Frank
----- Forwarded message from Miller Puckette <mpuckett(a)imusic1.ucsd.edu> -----
Date: Mon, 24 Aug 2009 20:52:33 -0700
From: Miller Puckette <mpuckett(a)imusic1.ucsd.edu>
To: pd-announce(a)iem.at
Subject: [PD] [PD-announce] smeck (6ch guitar processing patch) released
Hi all,
I've finally done a good enough job of cleaning up the 'smeck' patch (seen
at Pd conventions 2007 and 2009) to consider it releasable. This patch takes
a 6-channel signal from a separated guitar pickup (such as the Roland GK series)
and does a variety of cool things to it. Smeck is available from:
http://crca.ucsd.edu/~msp/
cheers
Miller
_______________________________________________
Pd-announce mailing list
Pd-announce(a)iem.at
http://lists.puredata.info/listinfo/pd-announce
_______________________________________________
Pd-list(a)iem.at mailing list
UNSUBSCRIBE and account-management -> http://lists.puredata.info/listinfo/pd-list
----- End forwarded message -----
25 Aug
25 Aug
12:54 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
OT:
This reminds me of another issue of polyphony for synth, that is given
by the Oberheim Matrix-1000 and the Synclavier. There's a special kind
of mono mode, called 'G' (for the Oberheim). Each of the six voices is
allocated to it's own MIDI channel, so every voice has got it's own
pitch bend. Anyway, it's one sound related to some behaviour as far as I
know, it's not simply like playing 6 monophonic synth. Unfortunately my
Guitars don't have a MIDI Pickup.
Frank Barknecht wrote:
Hi,
something for the guitarists around. This is the patch, that Miller Puckette
explained during the workshop at LAC2008.
Ciao
1:52 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Hallo,
Ralf Mardorf hat gesagt: // Ralf Mardorf wrote:
OT:
This reminds me of another issue of polyphony for synth, that is given
by the Oberheim Matrix-1000 and the Synclavier. There's a special kind
of mono mode, called 'G' (for the Oberheim). Each of the six voices is
allocated to it's own MIDI channel, so every voice has got it's own
pitch bend. Anyway, it's one sound related to some behaviour as far as I
know, it's not simply like playing 6 monophonic synth. Unfortunately my
Guitars don't have a MIDI Pickup.
"Smeck" is not for midi, but for audio pickups. You need a separate pickup for
each string.
Ciao
--
Frank
Frank Barknecht wrote:
Hi,
something for the guitarists around. This is the patch, that Miller Puckette
explained during the workshop at LAC2008.
Ciao
_______________________________________________
Linux-audio-dev mailing list
Linux-audio-dev(a)lists.linuxaudio.org
http://lists.linuxaudio.org/mailman/listinfo/linux-audio-dev
2:25 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Frank Barknecht wrote:
"Smeck" is not for midi, but for audio
pickups. You need a separate pickup for
each string.
The Roland GK is designed for MIDI usage. I don't know the actual hex
pickups. If it's not directly to MIDI, does it mean for Smeck a sound
card with 6 IOs is needed and the sound of the strings is used as
wave-source instead of the information about the note, to control
oscillators as wave-source? Might be a good idea to avoid latency
because of the pitch detection, but not a big difference to effect
processors for normal pickups. Hm, I didn't read the link ;).
Cheers
3:22 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Hallo,
Ralf Mardorf hat gesagt: // Ralf Mardorf wrote:
Frank Barknecht wrote:
Yes, that's it - at least on a very, very basic level. Miller's patch for
guitar is one very advanced beast showing some very cool and cutting edge
synthesis methods. It's not your run-of-the-mill guitar effects processor. In
fact it make me want to be able to play guitar. :)
"Smeck" is not for midi, but for audio
pickups. You need a separate pickup for
each string.
The Roland GK is designed for MIDI usage. I don't know the actual hex
pickups. If it's not directly to MIDI, does it mean for Smeck a sound
card with 6 IOs is needed and the sound of the strings is used as
wave-source instead of the information about the note, to control
oscillators as wave-source? Might be a good idea to avoid latency
because of the pitch detection, but not a big difference to effect
processors for normal pickups.
It does pitch detection inside of Pd to tune the transformations to the pitch
played, so you still get a bit of latency (pitch detection is made on blocks of
1024 samples afaik.)
Hm, I didn't read the link ;)
Maybe you'd want to? Here's the deep link:
http://crca.ucsd.edu/~msp/smeck/latest/doc/
and the pd~convention paper:
http://crca.ucsd.edu/~msp/Publications/pd07-reprint.pdf
rsp. http://crca.ucsd.edu/~msp/Publications/pd07-reprint.dir/
Ciao
--
Frank
4:34 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Hi Frank :)
Frank Barknecht wrote:
Thank you, I'm interested in reading about it, but I won't buy a hex
pickup for my guitars. I'm not a keyboarder, but good enough to use
keyboards for my needs, that's why I guess it isn't worth the effort to
buy a hex pickup etc.. Anyway it's good that some people develop such
equipment and software.
Cheers,
Ralf
Hallo,
Ralf Mardorf hat gesagt: // Ralf Mardorf wrote:
I'm a guitarist, but if I like to play guitar by using my ability, I
prefer to play the guitar as a classical electric guitar. Even for
experimental music it is not bad to be able to play guitar, as we can
hear by listening to Fred Frith and other experimental musicians, but to
do it there's no need to be able to play guitar.
Have you ever thought about playing the guitar similar to the way a
Trautonium is played?
Music shouldn't be acrobatic feat, some people know how to play scales
and chords, but they are to dull to make music, listen to rubbish like
Dream Theatre.
If you're creative, you can use a guitar even if you aren't a guitarist.
The advantage of strings is, that you have more impact to the sound by
your fingers, as if using a keyboard. You don't need to be a guitarist
to have impact to the sound for experimental music. For 'normal' music I
can't see any reason to have effects. I only need two effects, an
overdrive and a compression sustainer to increase the sustain, when
playing with the bottleneck, but without overdrive. Sometimes in
addition some other effects are beautiful.
I like guitar synth for experimental music only.
Btw. if you will practise tow years, you are able to play as fast and
clean as the Dream Theatre guy, even if you don't have any talent. I
guess you can learn how to play guitar in half a year, with or without
talent, if you have talent, than you only will be able to play a little
bit better. I guess guitar is one of the easiest to learn instruments,
only the beginning give the impression that playing keyboard might be
easier to do, because playing chords the first weeks seems to be
impossible, while you don't have such problems when playing chords on a
keyboard, but this is a wrong impression.
Frank Barknecht wrote:
Yes, that's it - at least on a very, very basic level. Miller's patch for
guitar is one very advanced beast showing some very cool and cutting edge
synthesis methods. It's not your run-of-the-mill guitar effects processor. In
fact it make me want to be able to play guitar. :)
"Smeck" is not for midi, but for audio
pickups. You need a separate pickup for
each string.
The Roland GK is designed for MIDI usage. I don't know the actual hex
pickups. If it's not directly to MIDI, does it mean for Smeck a sound
card with 6 IOs is needed and the sound of the strings is used as
wave-source instead of the information about the note, to control
oscillators as wave-source?
Might be a
good idea to avoid latency
because of the pitch detection, but not a big difference to effect
processors for normal pickups.
It does pitch detection inside of Pd to tune the transformations to the pitch
played, so you still get a bit of latency (pitch detection is made on blocks of
1024 samples afaik.)
Hm, I didn't read the link ;)
Maybe you'd want to? Here's the deep link:
http://crca.ucsd.edu/~msp/smeck/latest/doc/
and the pd~convention paper:
http://crca.ucsd.edu/~msp/Publications/pd07-reprint.pdf
rsp. http://crca.ucsd.edu/~msp/Publications/pd07-reprint.dir/
Ciao
5:09 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
On Tue, Aug 25, 2009 at 2:34 PM, Ralf Mardorf<ralf.mardorf(a)alice-dsl.net> wrote:
[ ... in response to news about some very clever work by miller puckette ... ]
I'm a guitarist, but if I like to play guitar by
using my ability, I
prefer to play the guitar as a classical electric guitar. Even for
experimental music it is not bad to be able to play guitar, as we can
hear by listening to Fred Frith and other experimental musicians, but to
do it there's no need to be able to play guitar.
so in response to somebody else creating tools that they or others
want to use, you're going to lecture us about how to play a "classical
electrical guitar", and instrument not invented until 1931 or so, and
that didn't become commercially successful until the 1950's?
rather than giving us a treatise on guitar technique, maybe you would
be better off spending time watching this:
http://www.youtube.com/watch?v=YXy3-Ni-M5Y
there are better forums than LAD for sharing your opinions on
good/bad/indifferent ways of making music.
5:57 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Paul Davis wrote:
so in response to somebody else creating tools that
they or others
want to use, you're going to lecture us about how to play a "classical
electrical guitar"
I guess there's nothing wrong to encourage somebody who guess that he
isn't able to play guitar, that he anyway should play guitar and ignore
bullshit like stupid guitar playing, similar to the Roland synth way.
This was what I did. I wonder what's wrong with you Paul? Not because
you agitate against me, but because you very often agitates against
people, even with absolute normal questions and again and again you are
whining because you earn less money than other coders do. Pleas stop
making FLOSS if you don't like to do it. Nobody force you to do it and
nobody force you to read my mails or the mails of the 20 to 30 other
people you don't like. You're good in slaughtering other people, but
look who's talking. I'm not in response to somebody else doing anything
for me, I just made a suggestion, resp. reported what I noticed as a
reason for differences in the quality of virtual synth and real,
classical synth.
6:05 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
On Tue, Aug 25, 2009 at 3:57 PM, Ralf Mardorf<ralf.mardorf(a)alice-dsl.net> wrote:
I guess there's nothing wrong to encourage
somebody who guess that he isn't
able to play guitar, that he anyway should play guitar and ignore bullshit
like stupid guitar playing, similar to the Roland synth way. This was what I
did.
what possible relevance does this have to LAD? miller puckette made
something possible, and you sounded to me as though you were
complaining that what he did was a bad idea because it doesn't fit in
with your ideas of aesthetic creation. i have my own ideas about good
and bad and terrible ways to make music, and the results thereof, but
i generally try to keep this to myself, and certainly keep it off LAD.
i found your commentary on miller's work rude and insulting, both as
a wannabe musician and as a developer of FLOSS. if you are not
interested in what he has done, then just don't bother to comment upon
it.
of course, i may have misread your comments.
6:17 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Paul Davis wrote:
On Tue, Aug 25, 2009 at 3:57 PM, Ralf
Mardorf<ralf.mardorf(a)alice-dsl.net> wrote:
Seems to be a misunderstanding. I like the idea of smeck for doing
experimental music. If I had enough money I would test it too, but as
you see, even for people who have hex pickups it needs effort to enable
the usage of smeck.
I guess there's nothing wrong to encourage
somebody who guess that he isn't
able to play guitar, that he anyway should play guitar and ignore bullshit
like stupid guitar playing, similar to the Roland synth way. This was what I
did.
what possible relevance does this have to LAD? miller puckette made
something possible, and you sounded to me as though you were
complaining that what he did was a bad idea because it doesn't fit in
with your ideas of aesthetic creation. i have my own ideas about good
and bad and terrible ways to make music, and the results thereof, but
i generally try to keep this to myself, and certainly keep it off LAD.
i found your commentary on miller's work rude and insulting, both as
a wannabe musician and as a developer of FLOSS. if you are not
interested in what he has done, then just don't bother to comment upon
it.
of course, i may have misread your comments. 
4:59 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Frank Barknecht wrote:
It does pitch detection inside of Pd to tune the
transformations to the pitch
played, so you still get a bit of latency (pitch detection is made on blocks of
1024 samples afaik.)
Hmm, 20 msecs at 48KHz doesn't sound too bad. The earliest pitch
trackers on MIDI guitars had some 250 msecs latency IIRC, now those are
a real challenge to play. ;-) (Robert Fripp did it, though.)
I actually have one of those hexagonal pickups (a Korg ZD3) retrofitted
on a Fender Stratocaster, but it uses a custom interface. Does anyone
here know how to extract the six individual audio signals from these?
Albert
--
Dr. Albert Gr"af
Dept. of Music-Informatics, University of Mainz, Germany
Email: Dr.Graef(a)t-online.de, ag(a)muwiinfa.geschichte.uni-mainz.de
WWW: http://www.musikinformatik.uni-mainz.de/ag
5:19 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Do you mean hexaphonic? Does it use the 'old' GR roland connector?
I saw somewhere you could get a converter from that (19-pin?) to the
modern (12-pin?) connector, which can either be split or you can buy
a rather expensive box to get 6 outs. I'll try to find where that was.
I've got a lovely Godin with hex out and I am trying to find a friend who
is good with soldering to make a split cable for me (no luck yet...).
Victor
----- Original Message -----
From: "Albert Graef" <Dr.Graef(a)t-online.de>
To: <linux-audio-dev(a)lists.linuxaudio.org>
Sent: Tuesday, August 25, 2009 7:59 PM
Subject: Re: [LAD] [PD-announce] smeck (6ch guitar processing patch)
released]
Frank Barknecht wrote:
It does pitch detection inside of Pd to tune the
transformations to the
pitch
played, so you still get a bit of latency (pitch detection is made on
blocks of
1024 samples afaik.)
Hmm, 20 msecs at 48KHz doesn't sound too bad. The earliest pitch
trackers on MIDI guitars had some 250 msecs latency IIRC, now those are
a real challenge to play. ;-) (Robert Fripp did it, though.)
I actually have one of those hexagonal pickups (a Korg ZD3) retrofitted
on a Fender Stratocaster, but it uses a custom interface. Does anyone
here know how to extract the six individual audio signals from these?
Albert
--
Dr. Albert Gr"af
Dept. of Music-Informatics, University of Mainz, Germany
Email: Dr.Graef(a)t-online.de, ag(a)muwiinfa.geschichte.uni-mainz.de
WWW: http://www.musikinformatik.uni-mainz.de/ag
_______________________________________________
Linux-audio-dev mailing list
Linux-audio-dev(a)lists.linuxaudio.org
http://lists.linuxaudio.org/mailman/listinfo/linux-audio-dev
5:31 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
I got my pins all wrong. What you have, apparently is a 24-pin connector,
for which you
can get schematics here: http://www.joness.com/gr300/24pin.htm
From there I guess you can either wire your own
splitters or get a 24-13 pin
connector
(the modern one we all have today), like this one:
http://www.joness.com/gr300/bc13_S.htm which by the way I'm not sure you can
find
anymore. But I guess there might be other things out there.
Then you can fork out for one of these, made by RMC (the people who make the
pickups
on my lovely Godin) : http://www.rmcpickup.com/fanoutbox.html
or wire your own output splitter.
HTH
Victor
----- Original Message -----
From: "victor" <Victor.Lazzarini(a)nuim.ie>
To: "Albert Graef" <Dr.Graef(a)t-online.de>de>; "The Linux Audio
Developers'
Mailing List" <linux-audio-dev(a)lists.linuxaudio.org>
Sent: Tuesday, August 25, 2009 8:19 PM
Subject: Re: [LAD] [PD-announce] smeck (6ch guitar processing patch)
released]
Do you mean hexaphonic? Does it use the 'old'
GR roland connector?
I saw somewhere you could get a converter from that (19-pin?) to the
modern (12-pin?) connector, which can either be split or you can buy
a rather expensive box to get 6 outs. I'll try to find where that was.
I've got a lovely Godin with hex out and I am trying to find a friend who
is good with soldering to make a split cable for me (no luck yet...).
Victor
----- Original Message -----
From: "Albert Graef" <Dr.Graef(a)t-online.de>
To: <linux-audio-dev(a)lists.linuxaudio.org>
Sent: Tuesday, August 25, 2009 7:59 PM
Subject: Re: [LAD] [PD-announce] smeck (6ch guitar processing patch)
released]
Frank Barknecht wrote:
_______________________________________________
Linux-audio-dev mailing list
Linux-audio-dev(a)lists.linuxaudio.org
http://lists.linuxaudio.org/mailman/listinfo/linux-audio-dev It does pitch detection inside of Pd to tune the
transformations to the
pitch
played, so you still get a bit of latency (pitch detection is made on
blocks of
1024 samples afaik.)
Hmm, 20 msecs at 48KHz doesn't sound too bad. The earliest pitch
trackers on MIDI guitars had some 250 msecs latency IIRC, now those are
a real challenge to play. ;-) (Robert Fripp did it, though.)
I actually have one of those hexagonal pickups (a Korg ZD3) retrofitted
on a Fender Stratocaster, but it uses a custom interface. Does anyone
here know how to extract the six individual audio signals from these?
Albert
--
Dr. Albert Gr"af
Dept. of Music-Informatics, University of Mainz, Germany
Email: Dr.Graef(a)t-online.de, ag(a)muwiinfa.geschichte.uni-mainz.de
WWW: http://www.musikinformatik.uni-mainz.de/ag
_______________________________________________
Linux-audio-dev mailing list
Linux-audio-dev(a)lists.linuxaudio.org
http://lists.linuxaudio.org/mailman/listinfo/linux-audio-dev
5:51 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Hallo,
victor hat gesagt: // victor wrote:
I got my pins all wrong. What you have, apparently is
a 24-pin connector,
for which you
can get schematics here: http://www.joness.com/gr300/24pin.htm
From there I guess you can either wire your own splitters or get a 24-13 pin
connector
(the modern one we all have today), like this one:
http://www.joness.com/gr300/bc13_S.htm which by the way I'm not sure you can
find
anymore. But I guess there might be other things out there.
Then you can fork out for one of these, made by RMC (the people who make the
pickups
on my lovely Godin) : http://www.rmcpickup.com/fanoutbox.html
or wire your own output splitter.
Or get this:
http://www.keithmcmillen.com/products/stringport/
Actually I found their product through a comment by Miller in the source for
his bonk~ object, so it's kind endorsed by Pd. :) Smeck also is in the list
of software offered for the stringport:
http://www.keithmcmillen.com/products/stringport/software.php
Miller himself built his own preamp:
"The instrument is based on a compact electric guitar (Steinberger/Gibson) with
an added six-string separated pickup (Roland). Not finding an inexpensive and
compact 6-channel preamp on the market, I designed and built a very crude one.
This is interfaced to a computer using a multichannel PCI interface (Midiman)."
Ciao
--
Frank
6:06 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Looks good, but expensive? No price on the site.
Victor
----- Original Message -----
From: "Frank Barknecht" <fbar(a)footils.org>
To: <linux-audio-dev(a)lists.linuxaudio.org>
Sent: Tuesday, August 25, 2009 8:51 PM
Subject: Re: [LAD] [PD-announce] smeck (6ch guitar processing patch)
released]
Hallo,
victor hat gesagt: // victor wrote:
I got my pins all wrong. What you have,
apparently is a 24-pin connector,
for which you
can get schematics here: http://www.joness.com/gr300/24pin.htm
From there I guess you can either wire your own splitters or get a 24-13
pin
connector
(the modern one we all have today), like this one:
http://www.joness.com/gr300/bc13_S.htm which by the way I'm not sure you
can
find
anymore. But I guess there might be other things out there.
Then you can fork out for one of these, made by RMC (the people who make
the
pickups
on my lovely Godin) : http://www.rmcpickup.com/fanoutbox.html
or wire your own output splitter.
Or get this:
http://www.keithmcmillen.com/products/stringport/
Actually I found their product through a comment by Miller in the source
for
his bonk~ object, so it's kind endorsed by Pd. :) Smeck also is in the
list
of software offered for the stringport:
http://www.keithmcmillen.com/products/stringport/software.php
Miller himself built his own preamp:
"The instrument is based on a compact electric guitar (Steinberger/Gibson)
with
an added six-string separated pickup (Roland). Not finding an inexpensive
and
compact 6-channel preamp on the market, I designed and built a very crude
one.
This is interfaced to a computer using a multichannel PCI interface
(Midiman)."
Ciao
--
Frank
_______________________________________________
Linux-audio-dev mailing list
Linux-audio-dev(a)lists.linuxaudio.org
http://lists.linuxaudio.org/mailman/listinfo/linux-audio-dev
6:22 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
victor wrote:
Looks good, but expensive? No price on the site.
Maybe this one does also enable to use the 6 audio signals by USB:
http://de.shopping.com/xPO-Terratec-TERRATEC-Axon-AX-50-USB-SET
6:26 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Ralf Mardorf wrote:
victor wrote:
http://www.thomann.de/de/terratec_axon_ax_50_usb_set.htm
:(
No Linux.
Looks good, but expensive? No price on the site.
Maybe this one does also enable to use the 6 audio signals by USB:
http://de.shopping.com/xPO-Terratec-TERRATEC-Axon-AX-50-USB-SET
6:09 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Frank Barknecht wrote:
Not finding an inexpensive and compact 6-channel
preamp on the market
I guess there are some less expensive solutions in the web. Some might
be fine, some not. I would test them on a brad board, maybe this side on
German is okay: http://www.elektronikinfo.de/audio/egbauanleitung.htm
5:48 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Hi Victor!
victor wrote:
Do you mean hexaphonic? Does it use the 'old'
GR roland connector?
Yes, that's what I meant. :) The ZD3 is supposed to be similar to the
Roland GK-1 (http://www.joness.com/gr300/korgz3.htm), but the pin
assignments (24 pins) are not exactly the same, so I'm not sure whether
those adapters you mention will fit.
Of course I could just take the MIDI output with pitch bends on six MIDI
channels and translate that back to the frequencies. The tracking of the
Korg Z3 is pretty good, and it has an astonishing low latency for a
device of its age. But I thought that it would be cool to actually get
at the audio signals themselves, and not having to carry around that
bulky Z3 unit all the time.
I saw somewhere you could get a converter from that
(19-pin?) to the
modern (12-pin?) connector, which can either be split or you can buy
a rather expensive box to get 6 outs. I'll try to find where that was.
That would be much appreciated, thanks!
Cheers,
Albert
--
Dr. Albert Gr"af
Dept. of Music-Informatics, University of Mainz, Germany
Email: Dr.Graef(a)t-online.de, ag(a)muwiinfa.geschichte.uni-mainz.de
WWW: http://www.musikinformatik.uni-mainz.de/ag
5:34 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Albert Graef schrieb:
Frank Barknecht wrote:
No this isn't true. Even the old GR-700 had about 30 ms, and modern
converters get hardly below 20 ms. See
http://www.joness.com/gr300/MIDI_SPEED.htm
It does pitch detection inside of Pd to tune the
transformations to the pitch
played, so you still get a bit of latency (pitch detection is made on blocks of
1024 samples afaik.)
Hmm, 20 msecs at 48KHz doesn't sound too bad. The earliest pitch
trackers on MIDI guitars had some 250 msecs latency IIRC,
I actually have one of those hexagonal pickups (a Korg
ZD3) retrofitted
on a Fender Stratocaster, but it uses a custom interface. Does anyone
here know how to extract the six individual audio signals from these?
This is pretty easy. All Roland GK compatible systems have six audio
signals on their outputs, the conversion to MIDI is done in an external
device, so just replace the interface with 6 preamps and a power supply,
and you're done.
One remark: The famous GR-300, used by Pat Metheney, is no
MIDI-converter, but works with the audio signals, similar to smeck.
Greetings
Klaus
--
6:31 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Klaus Kosten wrote:
No this isn't true. Even the old GR-700 had about
30 ms, and modern
converters get hardly below 20 ms. See
http://www.joness.com/gr300/MIDI_SPEED.htm
Ok, then I didn't remember correctly. :) Thanks for the link.
Also, thanks to everybody else for the tips!
Albert
--
Dr. Albert Gr"af
Dept. of Music-Informatics, University of Mainz, Germany
Email: Dr.Graef(a)t-online.de, ag(a)muwiinfa.geschichte.uni-mainz.de
WWW: http://www.musikinformatik.uni-mainz.de/ag
5:44 p.m.
New subject: [PD-announce] smeck (6ch guitar processing patch) released]
Albert Graef wrote:
Hmm, 20 msecs at 48KHz doesn't sound too bad. The
earliest pitch
trackers on MIDI guitars had some 250 msecs latency IIRC, now those are
a real challenge to play. ;-) (Robert Fripp did it, though.)
In a music store I played Voodoo Chile on a guitar synth in the middle
80ies, the synth sound was played with a latency that might be something
near to 250 msecs for the lower strings, the high strings had better
latency. De facto playing was impossible.
As far as I remember Buckedhead played a well working guitar synth for a
project with Bill Laswell and Bernie Worrell on one of the Praxis
recordings in the middle 90ies: http://en.wikipedia.org/wiki/Praxis_(band)
5566
days inactive
5566
days old
linux-audio-dev@lists.linuxaudio.org
22 comments
6 participants
participants (6)
-
Albert Graef -
Frank Barknecht -
Klaus Kosten -
Paul Davis -
Ralf Mardorf -
victor