Hi
Is it possible to have two (or more) applications write to the same
soundcard at the same time with alsa?
--
peace, love & harmony
Atte
http://www.atte.dk
ALSA 1.0.9-rc1 has a bug that is fatal for SBLive! users. Your system
will hang as soon as you play a sound. The Audigy is unaffected.
emu10k1 users, please wait for -rc2, or make sure to apply the fix I
posted to alsa-devel yesterday.
Lee
Forwarding Paolo's email (I didn't see it in the archives...)
----- Forwarded message from Paolo Ingraito <Paolo_Ingraito(a)onde.net> -----
Hi to all, I' m Paolo, that italian user who made the looped version of
the reed of the mellotron sound (www.viandanze.com/materiale/mello.sf2)
I found the mello sf2 by John Check and I extracted the single sounds in
order to make a looped version of the samples...
The only one completely finished of the three sounds is the Flute.
Here you can download the patch...
www.viandanze.com/materiale/melloflute.sf2
It was very useful for me having the samples already sliced and saved
with the right note name (b3flute, c4reed and so...).
Let me know what do you think... I used a mix of crossfading loop and
traditional looping linking the end and the start of the sample with
zero-points (I made crossfade looping with SoundForge an audio-editor,
then I exported the wav to kontakt).
Only one thing, I used a program to convert the patches from the kontakt
format, so I can' t know how I can group the all mellotron patches in one
sf2 file (well I hope someone knows how to do this!).
Paolo
Ps. Well, I' m a WinXP user, but I' m very interested in this kind of
free-music projects..!
----- End forwarded message -----
--
Emiliano Grilli
Linux user #209089
http://www.emillo.net
Hallo,
I want to play a MIDI-file with a "normal", internal soundcard.
The sound-howto seems to be outdated (7/2001). The midi-howto tells
something in "8.2 MIDI file players" so I installed pmidi but I get
the following:
til@debian:~ - pmidi -l
Port Client name Port name
til@debian:~ -
Then I installed yiff which is now running on 14541/tcp and
fluidsynth and got 2 soundfonts:
fluidsynth -ni Fender2.sf2 /tmp/export.mid
fluidsynth: warning: Failed to pin the sample data to RAM; swapping
is possible.
fluidsynth: error: The "default" audio device is used by another
application
Failed to create the audio driver
I can play .wav with wavp.
Here is some module-info:
til@debian:~ - lsmod |egrep snd
snd_seq_oss 33408 0
snd_seq_midi 7712 0
snd_rawmidi 21408 1 snd_seq_midi
snd_seq_midi_event 6272 2 snd_seq_oss,snd_seq_midi
snd_seq 55184 5
snd_seq_oss,snd_seq_midi,snd_seq_midi_event
snd_seq_device 7308 4
snd_seq_oss,snd_seq_midi,snd_rawmidi,snd_seq
snd_intel8x0 29376 0
snd_ac97_codec 76536 1 snd_intel8x0
snd_pcm_oss 56992 0
snd_mixer_oss 19328 1 snd_pcm_oss
snd_pcm 92808 3
snd_intel8x0,snd_ac97_codec,snd_pcm_oss
snd_timer 23044 2 snd_seq,snd_pcm
snd 55044 12
snd_seq_oss,snd_seq_midi,snd_rawmidi,snd_seq_midi_event,snd_seq,snd_seq_device,snd_intel8x0,snd_ac97_codec,snd_pcm_oss,snd_mixer_oss,snd_pcm,snd_timer
soundcore 7648 1 snd
snd_page_alloc 8324 2 snd_intel8x0,snd_pcm
I'm running Debian Sid on i386.
How can I play midi-files with my internal soundcard?
TIA
Til
> > I use Beatrix. I'm not a hammond player but I found the sound quite
> expressive
> > and, to my ears, real.
> >
> > Beatrix is currently OSS but I patched it to work with Jack (crudely). Try
> it
> > with OSS, then let me know if you want the patch.
>
> you got a link ? because I just found a distro named BeatriX but no apps.
http://www.dsv.su.se/~fk/beatrix_home.html
Best,
Mercury
Hello,
Two problems with Audigy 2 ZS soundcard.
1. I see no inputs in mixer software
2. When recording multitrack with Audacity, the sound from the first
track is also recorded to the second track. I choose "Play other tracks
while recording new one" from Preferences. Also the audio from other
software (like XMMS) is recorded to Audacity, if I play from other
software and record with Audacity at the same time.
Distro: Mandrake 10.1 , kernel 2.6.8.1-12mdk. I also have integrated
soundcard on my PC (VIA 82C686A/B rev50).
Thanks in advance,
Esa Linna
Dear John,
> On Tuesday 15 March 2005 05:36, John Check wrote:
> > Have a look at horgand, it's a pretty kick ass hammond emulator.
> > It has a leslie, reverb, rhythm section, the whole schmear.
>
> I already tested it ... IMHO far far away from the original sound
> and sf2 synth sounds. I think the problem is horgand seems generate
> is own primary sounds (sounds of the fondamental and the harmonics)
> and they are too much perfect :P A mixed solution between horgand
> and a wavetable for base sounds, could be a better one, I think.
I use Beatrix. I'm not a hammond player but I found the sound quite expressive
and, to my ears, real.
Beatrix is currently OSS but I patched it to work with Jack (crudely). Try it
with OSS, then let me know if you want the patch.
-Mercury
> I can't seem to get mine to load its firmware. Is there some magic to
> loading it?
Mine "just worked". Sorry. :-\
> also, why are you using gnome-alsamixer? theres a great app "Emixer" made especially for the echo cards. its in alsa-utilities or maybe alsa-tools...
What??? No one told me about that when I was asking how to tweak
mixer programs...
Jon
Hello list my list!
I was wondering if my cheezy DMR-918SU is supported under linux. Does
anyone know? It shows up as an unknown USB device in /var/log/messages:
Mar 14 19:11:34 musicbox kernel: usb 3-1: new full speed USB device using ohci_hcd and address 2
Thanks,
-thewade
On Thu, 3 Mar 2005 22:15:11 -0500, linux-audio-user-request wrote
> just taking this a bit further - has anyone experimented with
> live-jamming over skype?
..
> (just to make sure it didn't drop out) - but with the headphones on,
> listening to the band up on stage being broadcast back out to me, there
> was at least a half-beat delay (mind you, i couldn't take the headphones
> off, because this delay turned what was an average reggae band
> onstage into a dubbed-out head-freak).
>
> even still, perhaps in an electronic music environment, a delay like
> this would be manageable via quantization or something?
Shayne,
I believe that Net jamming is just over the horizon. For full duplex audio, it
seems, latency is the big issue. Data takes time to move. The dynamics of how
that works seem to vary with Net technology, but there will always be some
latency.
Since you brought up Skype-- Matthias Grob (inventor of Echoplex Digital Pro)
and I recently had a conversation over SkyPe. At one point, we tried some
percussion with household objects.. but I found his Brazilian beats + latency
hard to follow!!
Your suggestion to use this latency as a feature is interesting to me. This is
a major direction I want to go with FreeWheeling- the live looper I'm working
on. Basically, FreeWheeling lets you capture and play with multiple loops in
real-time.
What I want to do with FreeWheeling is to have users able to connect to a
common jam room. As different users capture loops from their improvisations,
the loops become available to other users in real-time. Since the loops are
syncronized to a common downbeat and tempo, Wolfgang in Germany can take
Latifah in Brooklyn's loops and add them to his own improvisation.
There are a lot of possibilities with both live collaboration and storing
loops to form larger pieces of music that persist over the Net. It is a type
of collaborative improvisation I am going for. To make this happen I need to
find some volunteers- people who want to try jamming together through loops. I
have been working on other features in FreeWheeling because I'm not certain
that I have the user base to pull this off yet. But with a few genuinely
interested people, we could make this a reality.
I'm most interested in the power that music has to cross borders and touch
people. In this world seemingly fragmented, I think it is important for us to
hear each other's stories. If I can play music with someone from another
culture, that to me is much more interesting than producing an album or going
after a certain style. I see music as a social process, a healing tool-- and I
think we have an amazing opportunity to use grass-roots technology to create
communities of music.
Thanks, Shayne, for giving me the nudge I needed to write this-- it's been
brewing in me and this thread over net jamming has been my catalyst.
Blessings,
Mercury