Anyone know of any Linux functional equivalents for Waves' L1 and Q10
modules?
I just need something close - and maybe it's a combo of plug-ins that'll
do the job, maybe it's just one app.
And, I don't require a GUI, I actually need to set it up as a batch
processing system anyway.
If you are not familiar with the plug-ins, the following is from the
Waves' site:
*L1:*
http://www.waves.com/content.asp?id=160
L1 Features:
*
Double precision internal processing
*
Lookahead peak limiter for maximum level
* Two types of dither
* Three noise-shaping curves for optimal control
* Maximum peak control with minimum distortion
* Requantize to 24, 20, 16, 12, and 8-bit output
* Sample-accurate peak hold metering
* Adjustable release time
======
*Q10 Paragraphic EQ*
http://www.waves.com/content.asp?id=161
Q10 Features:
*
Selectable number of bands
*
Frequency response display
*
5 types of filters, bell, low/high shelf, low/high pass
*
Filter band control point for graphical modification
*
Control strapping
*
Versatile EQ Controls: Frequency, Gain, and Q
*
Low noise filters
*
Process Left and Right separately, strapped or mono
Most gracious thank you!
brad
--
Brad Fuller
(408) 799-6124
** Sonaural Audio Studios **
(408) 799-6123 West San Jose
(408) 799-6124 Cambrian
________________________________
Hear us online: www.Sonaural.com
Hi,
I've been working on my piece for the LAC Concert and realised that it
would really work well if it were multichannel. Only, I do not have a
multichannel soundcard yet for my laptop and will not be able to
afford one till that time.
But, as there will be lots of people around, I thought maybe I could
borrow one for the concert?
Would anyone be able to help out here?
I think I might be able to test with an RME Multiface in the month to
come, so that one would probably be preferred.
For the rest, I'll be using SuperCollider with JACK... and I have a
Midisport 2x2 interface hanging on one of my 2 usb-ports.
Please email me privately if you're going to be at the LAC and are
willing to help me out.
sincerely,
Marije
> unfortunately, it is true that i signed noah up for spam - after
> receiving a bunch of spam yesterday, and with my troll-like rage still
> brewing over our exchanges, i expediently blamed noah and signed him up
> on one of the pages the spam led to.
Why are you using real email addresses on a mailing list in the first place?
www.sneakemail.com
for other spam purposes:
www.spamgourmet.com
listed as similar but I haven't explored in depth:
http://www.mytrashmail.com/http://www.mailinator.com
On Wed, 30 Mar 2005 12:04 , Steve Harris <S.W.Harris(a)ecs.soton.ac.uk> sent:
>On Tue, Mar 29, 2005 at 08:25:24PM -0600, Jan Depner wrote:
>> On Tue, 2005-03-29 at 16:36, Iain Duncan wrote:
>> > > If you bypass the limiter you could avoid the delay. I'm just so
>> > > used to using the limiter that I never think about turning it off.
>> >
>> > Is there any reason why we could not either have it possible to tweak
>> > the look ahead time or just turn off the lookahead? I understand that
>> > the priority is mastering, not live sound. But hell, aside from the
>> > delay, it's such a killer live sound last stage app, why limit it's
>> > application?
>>
>> There's a bypass button for each component. Just bypass the
>> limiter.
>
>Bypassing the limiter doesnt change the latency, theres quite a lot of code
>to make sure it doesnt :) otherwise there would be a glitch when you
>bypassed it, and it would be hard to do AB comparisons.
>
Damn, I forgot about that! I guess there's no help for it. Of course JAMin
isn't really designed for live work anyway.
Jan
>
>
>Hi I was a little out of touch with the whole thing , if you can give me
>the web-site of the LAc or the dates :)
>
><>ISh
>
>
http://lac.zkm.de/
Yves
--- philicorda <philicorda(a)ntlworld.com> wrote:
> On Tue, 2005-03-29 at 11:33 -0500,
> linux-audio-user-request(a)music.columbia.edu wrote:
> > And what problem does six parametric bands solve
> > during mastering? Same qustion for more
> compression
> > bands. If your audio is so screwed up to require
> that
> > type of toolset then shit can it and start over.
> > Seriously, you don't have a mastering problem you
> have
> > recording and mixing problems.
> >
> > Please sexcuse me but I feel forced to ask, why
> not
> > put a dork port on JAMin so I can stop spending my
> > money in cat houses?
> >
> > ron
>
> The TC Mastering 6000 has five bands of dynamics, L3
> multimaximizer has
> five, Waves C4 has four, Izotope Ozone has four.
>
> Having four can be kinda handy when you want to
> carve out some space to
> bring things like vocals forward a little.
> Especially when mastering in
> sections, when differently treated masters of the
> same song will be
> edited together afterwards. (Yes it's turd
> polishing, but you don't
> always get to choose what you work with, do you?)
Very cool strategy. I love it. Virtual hugs dude! I
probably started mastering in 2002. Most of what I do
is my own work which tends to be very easy to deal
with.
The documents I've been writing focus on controling
loudness. I'm going to keep that slant going but it's
obvious that fixing audio is an interesting topic.
Probably one that I don't know much about. If you've
ever want me to document one of your jobs that
requires interesting strategies tar it up. I'm game.
> Three bands of dynamics does fine though, and I'd
> rather have someone
> with a good set of ears using Jamin than some idiot
> squarewaving the lot
> with a tc M6000. Quality of the software is not a
> problem here.
>
> As far as more bands of parametric eq goes, if you
> need more, most
> plugins will do, I'd just chain them in Linux like
> anywhere else.
> If I'm using loads of bands of parametric when
> mastering, it's so I can
> turn different ones on and off to see what works.
> The scene thing in
> Jamin does the same thing. If there is anything
> really nasty, the
> graphic eq is perhaps a better place to notch it
> out.
>
> Anyway, is a 'dork port' on the Jamin roadmap? :)
I definitely don't have a life so I'll place an order
for the industrial port.
ron
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Hiho,
the LAC comes closer and closer, so I was wondering how many people
are going there from Berlin this year. Last year, there were at least
10 or so, so I thought maybe this year we could consider traveling
together, either sharing cars or taking advantage of group traveling
by train.
What do you think?
Maybe you could email me privately, then I'll create a little
Berlin-to-LAC list and then we could see if this works
out some way?
sincerely,
Marije
> also, my shame is so great that i will have to
> unsubscribe from the
> lists for a while (as soon as the unsubscribe page
> is back up).
Oh you horrible person. Just let it be known that I
have no sisters. Actually I wouldn't lose any sleep
over it. Well, maybe a little but I certainly don't
care what you did.
In the future just put them on ignore. They eventually
go away.
ron
> i feel terrible, and i offer my sincere aplogies.
>
> shayne
>
__________________________________
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Yahoo! Small Business - Try our new resources site!
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Hi all,
KMetronome is a MIDI based metronome using the ALSA sequencer.
It uses MIDI for sound generation instead of digital audio, allowing
low CPU usage and very accurate timing thanks to the ALSA sequencer.
This is the first public release.
Features
* Easy to use KDE graphic user interface.
* MIDI only. Can be used with software- or external MIDI synthesizers.
* Based on the ALSA sequencer. Provides input and output ports.
* Highly customizable parameters.
* Optional built-in connection manager, it can be used with
external connection managers.
* External transport control: play - stop - continue commands, can
be controlled using DCOP or MIDI Realtime System messages.
* GPL licensed
It has basically the same features and similar look of my old kylix
"ametro" program, but this time it is a pure C++ program.
Download:
http://sourceforge.net/projects/kmetronome
Regards,
Pedro
--- Jan Depner <eviltwin69(a)cableone.net> wrote:
> On Tue, 2005-03-29 at 09:11, R Parker wrote:
>
> > And what problem does six parametric bands solve
> > during mastering? Same qustion for more
> compression
> > bands. If your audio is so screwed up to require
> that
> > type of toolset then shit can it and start over.
> > Seriously, you don't have a mastering problem you
> have
> > recording and mixing problems.
> >
>
> Wait now, you're the one that thought it would
> be a good idea to add
> meterbridge to JAMin.
Really? I have no recollection of suggesting that and
if I did am clueless as to the context within which I
would have cast that vote.
Besides all that, what does meterbridge have to do
with my reply?
You just posted that
> yesterday.
For meterbride? I don't think so but am open to being
proven wrong.
Actually, when I
> use JAMin I often find myself needing just one more
> parametric EQ.
I don't need more equalization control in JAMin but
often process the source to prepare it for mastering.
And in my experience that is the correct method.
> Granted, I can draw any curve I want and get the
> same effect but I can't
> slide it to exactly the right place. There are
> still a couple of
> features that would be nice in JAMin. Direct out to
> .wav files has been
> mentioned a number of times. In fact I think you're
> one of the
> proponents of that.
I'm not against it because it doesn't affect audio
processing.
Steve wants to add warning
> lights for DC offset.
And my response stated that I think Joern's proposal
is good one. So I don't understand your point.
> I'd like to have small delays available for low and
> mid band.
That affects the processing of audio and now that
you're forcing the issue I will go on the record
saying I don't know if it's a good idea. My instincts
leave me doubtful.
Your first proposal included links to documentation
that explained the idea. I took the time to read those
documents. I simply wasn't convinced and didn't reply.
I figured no response was the lowest volume vote that
I could cast and wanted to keep the tension between
you and I somewhat tempered.
It's
> still a mastering tool and we haven't added anything
> that is not useful
> for mastering.
I know you feel very strongly about this feature but I
am skeptical.
ron
> Jan
>
>
>
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