Greetings:
I've put a new recording here :
http://linux-sound.org/prelude.ogg
The piece is not new, but this time I used ZynAddSubFX's lovely DX
Rhodes 2 instead of my beloved TX802s. Zyn sounded so good I started
seriously considering giving up my hardware synths. I may not go so far
yet, but it's only a matter of time.
Anyway, I hope you like the piece, it's just a brief instrumental
sequenced in Sequencer Plus Gold and performed by that program running
under DOSemu. Throw in Zyn and QJackCtl, and there you have it. :)
More (new) stuff coming soon...
Best,
dp
I just bought a RME Digi96/8 PST soundcard and installed it on my
computer. Once rebooted, info in /proc/asound/cards seems to be
correct:
$ cat /proc/asound/cards
0 [CK8S ]: NFORCE - NVidia CK8S
NVidia CK8S with ALC850 at 0xfc001000, irq 193
1 [PST ]: Digi96 - RME Digi96/8 PST
RME Digi96/8 PST at 0xfb000000, irq 201
2 [UM1 ]: USB-Audio - UM-1
EDIROL UM-1 at usb-0000:00:02.0-4, full speed
I am forcing index numbers via /etc/modprobe.d/sound so mobo's
internal soundcard is the default device.
If I tell xmms to use ALSA and output hw:1,0, it works nicely and RME
plays sound. But if I tell jackd to use that same output, it gets
killed by the watchdog!
13:49:32.867 JACK is starting...
13:49:32.869 jackd -R -t10000 -dalsa -dhw:1,0 -r44100 -p256 -n2
13:49:32.880 JACK was started with PID=5961 (0x1749).
jackd 0.101.1
Copyright 2001-2005 Paul Davis and others.
jackd comes with ABSOLUTELY NO WARRANTY
This is free software, and you are welcome to redistribute it
under certain conditions; see the file COPYING for details
JACK compiled with System V SHM support.
loading driver ..
apparent rate = 44100
creating alsa driver ... hw:1,0|hw:1,0|256|2|44100|0|0|nomon|swmeter|-|32bit
control device hw:1
configuring for 44100Hz, period = 256 frames, buffer = 2 periods
nperiods = 32 for capture
nperiods = 32 for playback
13:49:35.000 Server configuration saved to "/home/ismael/.jackdrc".
13:49:35.002 Statistics reset.
13:49:35.005 Client activated.
13:49:35.007 Audio connection change.
13:49:35.012 Audio connection graph change.
13:49:35.057 XRUN callback (1).
13:49:37.017 XRUN callback (169 skipped).
jackd watchdog: timeout - killing jackd
zombified - calling shutdown handler
13:49:38.023 Shutdown notification.
13:49:38.025 Client deactivated.
13:49:38.027 JACK was stopped successfully.
cannot send request type 7 to server
cannot read result for request type 7 from server
It's the same no matter if I change frames/period, periods/buffer,
priority, timeout, input and output channels, it's always the same.
I'm finding pretty difficult to find a PCI slot in my mobo which
allows me to use an isolated IRQ for the RME, if anyone thinks this
could be the problem..
I am running vanilla 2.6.17 with Ingo Molnar's rt8 patches. I can post
my kernel config if useful.
Any ideas will be very welcome so thanks in advance.
Cordially, Ismael
--
Ismael Valladolid Torres "Il est vain de pleurer sur l'esprit, il suffit
de travailler pour lui." Albert Camus
http://digitrazos.info/http://lamediahostia.blogspot.com/ OpenPGP key ID: 0xDE721AF4
Hello,
(Lurking mode off ;-)
Trying to keep this short: Is it possible, in general, to do low
latency multitrack-recording in ardour with a notebook and a
multichannel audio-interface? If so, does anyone have any
recommendations for notebooks and audio-interfaces that are suitable
for this task and still available?
I'd like to run gentoo-linux on it, do some recording and maybe, from
time to time, do some Sequencing / Sample playback and PureData-stuff.
Thank you,
-Michael
ROSEGARDEN 1.4.0 RELEASED
The Rosegarden team are delighted to announce the release of version
1.4.0 of Rosegarden, an audio and MIDI sequencer and musical notation
editor for Linux.
http://www.rosegardenmusic.com/
This is a particularly exciting release for the Rosegarden project.
It includes a number of interesting new features, many of which we
expect to build upon further in future releases. It also contains
significant code contributions from a greater number of people than
any previous Rosegarden release, including D. Michael McIntyre, Pedro
Lopez-Cabanillas, Heikki Junes, Stephen Torri, Magnus Johansson, Vince
Negri and Martin Shepherd as well as Chris Cannam, Guillaume Laurent,
and a number of active translators.
Significant new features include:
* You can now record to multiple MIDI tracks at once from different
devices and/or channels.
* There is a new track parameter box which can be used to select the
playback instrument for a track, recording filters, and the default
parameters for new segments created on that track.
* You can now create tracks identified with particular real-world
performance instruments, so that new segments subsequently created on
those tracks inherit the right clef, transposition and note range for
each instrument (notes outside that range are displayed in a different
colour in the notation editor). A database of around 300 instruments
is included, courtesy of Erik Magnus Johansson of Eolin KB
(http://www.kandav.com/eolin/).
* The composition no longer has a fixed duration. In previous releases
it was necessary to adjust the composition duration manually in order
to record or create segments longer than the default duration. As of
this release, the composition extends itself as you record or drag
out new segments.
* If you add a key change across multiple segments that differ in
performance transposition, you can now choose to have the key
transposed automatically for each segment.
* You can now enter special directives in the notation editor
that will be interpreted when creating LilyPond output, to achieve
effects that are possible in LilyPond but not yet supported in
Rosegarden (glissandi, arpeggios, segno/coda etc).
* Soprano clef has been added.
* Lilypond export now supports LilyPond 2.8 and has a new feature to
merge multiple staffs as voices into one LilyPond staff, a new option
to group staffs with a system bracket, as well as a huge number of bug
fixes and performance improvements, which have tremendously improved
the reliability and usefulness of the export engine.
* You can choose to display the parameter boxes in a tabbed layout
as an alternative to the default vertical stack. In the tabbed
layout you can display a much greater number of MIDI controllers
than was previously possible.
* You can now cut, copy and paste "ranges" within a composition
(cross-sections of all segments and tempo and time signature changes
between two given end points in time).
* There are new functions to split selected segments at an arbitrary
time, and to split segments according to the MIDI device used to
record them (which can be applied retrospectively to recordings made
with Rosegarden 1.0 and newer).
* The facilities for adding and editing markers (labelled positions in
time) and setting loop ranges have been improved in a number of ways.
* Tempos can now be "ramped" (smoothly changing from an initial to a
final tempo over a period of time).
* The tempo ruler has been overhauled and now permits in-place
editing of the tempo map with the mouse (with undo and redo, of
course).
* You can finally zoom in and out of editing views using the mouse wheel
(with Ctrl pressed).
* The Panic function is now accessible from all transport toolbars.
* When step-recording notes from a MIDI device, you can now enter chords
simply by playing overlapping notes.
* Rosegarden can now respond to MIDI Start, Stop and Continue system
messages (as well as MMC/MTC), and send MMC Locate messages (as well
as Play and Stop).
For more information about Rosegarden and what it can do for you,
please see
http://www.rosegardenmusic.com/
Rosegarden is Free Software under the GNU General Public License.
Chris
> Message: 8
> Date: Wed, 20 Sep 2006 00:18:16 +1000
> From: "Loki Davison" <loki.davison(a)gmail.com>
> The thread on the pure data list mentions a few American uni's but not
> many elsewhere. What is finding funding like in any of these uni's?
> I'd prefer a funded place as working at the same time except for
> lecturing/tutoring sound impractical. Does anyone know options for
> the rest of the world or contacts I can chat too? I could just pester
> random people but it would be great if i could narrow the search ;)
I'm surprised no one has mentioned IRCAM in Paris. (One common link
between IRCAM and Stanford is Andy Moorer, with Lucas and Sonic Solutions
following.)
You'd have to google IRCAM, though -- I forget which of the Paris
Universities it's attached to.
Phil M
--
"To misattribute a quote is unforgiveable."
--Anonymous
Hi there ,
Does anyone use this sound card ? Does it work well with freebob ? And
most important, does it sound good?
I'm looking for an external soundcard with 1 or 2 audio IO and 1 midi IO.
Thanks
Flo
Hello LAU,
What's the smallest and simplest command line MP3 player available? I
need it for testing an embedded system. It must be cross-compilable for
PPC target. The fewer dependencies the better (ideally it would be
self-contained).
Lee
When using qjackctl to launch jackd, in my list of writable clients I
see 6 playback devices. I am using my mobo's internal soundcard which
has only a stereo output. But if I check ALSA devices, information
seems to be correct:
$ cat /proc/asound/devices
0: [ 0] : control
1: : sequencer
16: [ 0- 0]: digital audio playback
18: [ 0- 2]: digital audio playback
24: [ 0- 0]: digital audio capture
25: [ 0- 1]: digital audio capture
33: : timer
Why jackd registers more devices than those made available by ALSA?
Any pointers?
Cordially, Ismael
--
Ismael Valladolid Torres "Il est vain de pleurer sur l'esprit, il suffit
de travailler pour lui." Albert Camus
http://digitrazos.info/http://lamediahostia.blogspot.com/ OpenPGP key ID: 0xDE721AF4