I downloaded and read the code of AMS and see some possibilities to
improve its CPU load, it doesnt looked very optimized. Next week I could
do the coding and send the patches to Fons, whom I already contacted.
My approach I would descripe evolutionary, not revolutionary. Its like
opening a big expensive vintage Moog Modular for soldering. I dont want
to rewrite the soundengine, but like to help with optimizations and
improvements regarding usebility. The changes have to be done very
carefully and I will do an A/B test with the old AMS on the left and the
new AMS on the right ear.
Thats all I can offer...
Cheers,
Malte
--
Malte Steiner
media art + development
-www.block4.com-
next events:
2.3. DJ together with Xyramat at The Thing Party, Buttclub Hamburg
Hi,
Since Microsoft recent audio related patent "that looks a lot like
ALSA", I thought this could be interesting :
http://www.showusthecode.com/
In short it's an open letter to Steve Ballmer asking him to show the
code and patents that Linux supposedly copied from Microsoft (haha,
what a joke...)
Happy reading,
__________________
Marc-Olivier Barre,
Markinoko.
Announcing a new release of the hexter DSSI plugin.
http://sourceforge.net/project/showfiles.php?
group_id=104230&package_id=134428
hexter is a software synthesizer that models the sound generation of
a Yamaha DX7 synthesizer. It can easily load most DX7 patch bank
files, accept patch editing commands via MIDI sys-ex messages, and
recreate the sound of the DX7 with greater accuracy than any other
open-source emulation (that the author is aware of...) hexter
operates as a plugin for the Disposable Soft Synth Interface (DSSI).
New features in version 0.6.0 include:
* Implemented the LFO, amplitude modulation and pitch modulation
(many thanks to Jamie Bullock)!
* Added TX7-style performance parameters, allowing configuration
from the GUI of pitch bend range, portamento time, and
sensitivity and assignment of the modulation wheel, foot
controller, pressure (both channel and key), and breath
controller.
* Added DX7 patchbank loading code from Martin Tarenskeen, allowing
hexter to load a number of additional patch file formats.
* Partially implemented portamento. For now, the curves and times
are wrong, but the plumbing is there.
More information about hexter and DSSI can be found at:
http://dssi.sourceforge.net/hexter.html
hexter is written by Sean Bolton, and copyright (c)2007 under
the GNU General Public License, version 2 or later.
Hi All,
I'm new to this list and it's been a while since I've looked at linux audio. I
am most comfortable writing in a score editor. I have a couple of gigasamples
but they are too expensive to keep collecting them. Are people using
soundfonts? I know about qsampler and qsynth but my question is, what score
editors are the most powerful that would work with these programs and also
possibly with ardour. Does anyone have any favorite setups to share?
Thanks,
Arthur
Hi.
Could somone tell me how to find the metronome which is part of
Caps in a jack-rack ? Its name is click. I can find it quite everywhere,
for example in Ardour, but not in jack-rack.
Or would there be a trick to have a simple graphical jack-enabled
metronome ? A patch for gtick would really be a must...
Thanks in advance,
Y.
[I] media-plugins/caps-plugins Installed versions: 0.3.0-r1
[I] media-sound/jack-rack Installed versions: 1.4.5
Hey All,
I listened to the tracks that Leonard Ritter posted recently and then
listened to my own latest track immediately after, which made me realise
how innadequate it sounds, no matter how loud I turn it up. Does anyone
have any mastering tips? I have no idea about mastering. Leonard, how
do you get your stuff to sound so fat? Here's my track that doesn't
sound fat enough:
<http://www.sciencegirlrecords.com/chr15m/music/CD005/Chris%20McCormick%20-%…>
It's also written in a tracker.
Best,
Chris.
-------------------
chris(a)mccormick.cx
http://mccormick.cx
On Thu, Mar 01, 2007 at 09:36:44PM +0100, Thorsten Wilms wrote:
> Continued:
> http://thorwil.affenbande.org/index.php/2007/03/01/appslinuxaudioorg-02/
>
I like the overall approach of the logo and particularly the shading of
the second version. It bears no visual reference to audio or sound but
this is just fine, I guess.
My main concern is the linuxaudio.org-writing, as it is not in the box
and thus doesn't seem to belong to the logo. Perhabs making it smaller
and putting it directly next to the box would help? Or, alternatively,
putting it into the header of the box. But then, the problem with making
it smaller probably is that you can't read it properly when the logo is
scaled down. What about omitting it altogether?
Anyway, thanks a lot for your effort!
Burkhard
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I'm looking for a simple command-line daemon to run a processing chain of LADSPA effects.
Basically, so that I can power on my machine and have a bunch of softsynths and effects running without any monitor or text-keyboard.
I have scripts that start fluidsynth, scripts that setup jack_connect and aconnect, but I still need a GUI program (jack-rack) in order to get the LADSPA stuff. Somewhere there must be a non-gooey alternative.
- -ken
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Hi
Just realized my post got burred in another thread, so here goes in a
fresh thread:
Nedko Arnaudov wrote:
> Having audio and MIDI perfectly synchronized is a must in my
> vision. There is no point of using JACK if you use ALSA too.
Really?
I haven't yet used it, and think alsa midi works just fine. Exactly
where (real world scenarios, please) is jack-midi superior the the
degree that the current approach is pointless?
And I'd also like to hear a quick hand up: Who's using jack midi
exclusively and who's using alsa midi?
--
peace, love & harmony
Atte
http://www.atte.dk | quintet: http://www.anagrammer.dk
| compositions: http://www.atte.dk/compositions